A Quote by Mat Kearney
It's been awesome going indie. I don't need to be on a major label. I love not having to walk into a specific radio person's office to try to convince someone to play my songs. At the end of the day, it's more work, but I've discovered that I like to get my hands dirty.
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I think ultimately what you really want is a few people within any label that are into the band enough to really work on it every day for a long time and to actually try a little bit. But obviously, the major labels have more money to spend, so if they feel like spending it, they have bigger resources there when you need them. It doesn't always necessarily translate into them doing a better job for a band, but I think especially if you're playing the game of commercial radio and making videos and stuff like that, that's sort of an expensive proposition.
To be honest, the search for a label was really weird, because some of the labels that you wouldn't expect to care about stuff like radio formats were the ones that did care. They were like, 'Yeah, we love this record, but what are we going to play on the radio?' And I was like, 'You don't have bands on the radio.'
There's a lot of psychology involved in my work, a lot of mind play going on when you try and convince someone to feel good about their bodies and have the confidence to walk down a catwalk naked when, initially at least, it's probably the last thing they'd plan to do.
I will never sign to a major record label again. If, by some mega fluke, a record of mine looked like it might break big, I'd try and do it via an indie or somehow license it. I'm not having my music owned by those corporate bastards again.
I'd love to play in a Red Sox game. It would be so awesome to actually walk out on the field and play, just for one inning. I'd also steal everything I could get my hands on in the clubhouse, which is why they won't let me do it.
That's the best thing about being with an indie label, it feels like a family. If it's a major label, they put so much pressure on every single.
In the mornings I used to say goodbye to my wife like someone going to work. I'd leave the house, walk around a few blocks, and come back like a person arriving at the office.
The only Train song I like is the one that I play in my act "Drops Of Jupiter". Sheryl Crow has three or four songs that I like; also Dave Matthews Band. With those particular musicians, it's more that there are a few songs that I like rather than their entire body of work. There are a lot of indie bands that I like too. I'm not a snob about music. Does the fact that I like Stephen Sondheim and Broadway musicals make me a fake? Does the fact that I'm "the Billy Joel of comedy" mean that I don't have indie-rock credibility?
I've put projects out on my own label twice now and been very successful which shows you don't need a major label to back you in this day and age.
I wasn't in love with Simon any more. I hadn't been in love with Simon for a long time. I was in love with not being on my own, with having someone there at the end of the day and now I knew I didn't need that. My heart was not broken over him: it was breaking for the things I had wanted from him. And I didn't want them any more.
Whenever you see someone who's having a rough day, it's one thing to ask if they're okay, because most people would just walk by. That can be life-changing to that person who's going through whatever they're going through. I'm that kind of person, so that's been my training for acting: just caring about people.
When you're DJing, there are songs I love to play, but I know people are going to walk off. It doesn't matter what I like. You have to be able to play the popular song and slip in one of yours, in such a way that they don't notice it. You've got them in such a roll that you get them back into what they think they like.
I try to avoid a specific image. I seek to play as many different women as I can to avoid having a label put on me.
I think I'm one of those people that needed to be seen by someone else to see myself. But then on the other hand, the way I do my work, I always try to only completely focus on my work, so when I do my work I'm only interested in my character. So I don't have an idea of what it means for my career. So this is why I don't feel like I need to be discovered, because I feel like even without being discovered, I will be fine.
At the end of the day, Fool's Gold is a label that, when I hear something I like, I try to grab it for the label. There's a ton of great music coming out.
Obviously, television is a writer's medium, so you get a lot more power and authority. With a film, the discipline is having a beginning, middle and end, and having it work in a specific space of time.
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