A Quote by Mat Kearney
I had the lyric 'Chip Don't Go' and a few words, and my wife came in and said that it sounded like a good song. I thought I'd finish writing it up and posting it to YouTube. I didn't realize it was going to take off like it did.
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The name Dirtee Stank came from a lyric I had when I was 17 or 16. Lyrical tank, like my name was Frank, going on dirty, going on stank. It sounded like a good name!
Hank Williams seemed, like, so total to me, so committed to the lyric. He would actually rip the ends of the words off at the, you know - the end of the sentence. It sounded like he'd bite into the word and rip it off.
In my case what happened is that within about two weeks of beginning meditation, the anger already started to go away. My wife came to me and said, "What's going on?" and I said, "What are you talking about?" To which she replied, "This anger, where did it go?" I didn't even realize that my anger had been going away.
but do i need to say anything?" sophie asked. "do i need to learn any words?" "like what?" saint-germain said. "well, when you lit up the eiffel tower, you said something that sounded like eggness" "ignis" the count said. "latin for fire. no, you don't need to say anything." "then why did you do it, then?" sophie asked. saint-germain grinned. "i just thought it sounded cool.
[Sam Phillips] laughed at me. I just didn't like the way I Walk The Line sounded to me. I didn't know I sounded that way. And I didn't like it. I don't know. But he said let's give it a chance, and it was just a few days until - that's all it took to take off.
I'd spent five hours that morning trying to write a song that was meaningful and good, and I finally gave up and lay down. Then, "Nowhere Man" came, words and music, the whole damn thing, as I lay down...Song writing is about getting the demon out of me. It's like being possessed. You try to go to sleep, but the song won't let you. So you have to get up and make it into something, and then you're allowed sleep.
Sounded to me like he had a pretty good idea what he was saying," Van replied, with surprisingly little anger. "It's a pity he had to overintellectualize like that. He did such good work, and then he had to go and intellectualize it.
. I did an interview earlier and somebody asked me if I [knew I] was onto something back when I was first writing. I said, "Yeah. I always thought I was good." We're not the Beatles or Led Zeppelin or AC/DC. But Helmet always sounded like Helmet, and we sort of developed our own sound. There's a vocabulary that's kind of universal now that's very simple. My friendDavid Sims, [the bassist] in Jesus Lizard, said, "I wish I'd thought of it." When you first hear it, it's like, "Oh duh." But that's cool.
She felt, as she felt so often with Murphy, spattered with words that went dead as soon as they sounded; each word obliterated, before it had time to make sense, by the word that came next; so that in the end she did not know what had been said. It was like difficult music heard for the first time.
'Tim Timtya' was different from what I usually do. I had to develop a texture to go with the song. In fact, many told me I sounded like Shreya Goshal, which came as a pleasant surprise. Transitioning from tracks like 'Sunny Sunny' to this one was quite different.
Trying to make your own sound is hard. When I was producing for other artists, I could just produce and write songs as a normal songwriter, and almost make them generic. The artists themselves, whoever is singing that song, can put their own twist on it. When it came to my own material, I had to really dig deep, because I was just writing generic stuff. It sounded like everybody else, like Justin Timberlake, like Usher. I never wanted to sound like someone, that's when you know it's not going to work.
Writing a song is almost like cheating-writing because you don't have to finish your sentences, you don't have to use any punctuation, no one's going to edit your work. It's so wide open. People just grunt and that's a song. You can kind of do anything.
I'd been in a couple situations where I'd seen bands realize that they didn't have to get a good take in order to get something that sounded like a song. The musicians are there and they don't quite have it together, and then the engineer says, "Oh! That's okay, I'll just cut and paste the verse!"
As I said, I had no publisher for What a Carve Up! while I was writing it, so all we had to live off was my wife's money and little bits I was picking up for journalism.
I told Bernie Taupin that his best lyrics were for Song For Guy just because it doesn't have any words in it. But there you go... I'm a wind up! But a good Elton song for karaoke is I Guess That's Why They Call It The Blues... "laughing like children, living like lovers, rolling like thunder under the covers..." Everyone can join in!
We did casting in L.A. and a lot of people came against the advice of their agents. The agents said, "You shouldn't be in Postal, it will damage your career." So Zack Ward came to casting and played one of the cop parts, and then later I looked at the DVDs again and said, "This guy is Postal Dude." He's like white trailer trash. He's had a long time in the film industry, but no real success. He needs money; he's two-times divorced in real life. He said he works only to pay off his Philippine ex-wife.
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