A Quote by Mat Kearney
There's something incredibly vulnerable about middle school for me. We're really impressionable during that period. The cement's still wet, so to speak, and a lot of things later in life are born during that season.
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I think it's maybe because Sergeant Pepper's came out when I was about 13 or 14 and that was a pretty impressionable age, and it was such a kind of radical period. But that period of the Beatles really had a big influence on me and I think are directly related to hyperinstruments.
My dad, as a guy, had to quit school in the ninth grade, fought in the Battle of the Bulge. And spent his life pushing wheel barrels of heavy wet cement. So we've gone from pushing cement to now in one generation pushing legislation. But we always want any president to succeed, to do well; that means America does well and Americans do well.
If you're going to do an interview about a movie or anything like that, you're vulnerable. You say stupid things. Or if you're applying for a green card you feel very vulnerable and you're likely to spout out something stupid in the middle of it all.
We had a great dramatics department in school, so I did a lot of plays and theatre there. Later, when I was the captain of our student's ward, I figured out that if you find something you really love to do, you don't have to work for the rest of your life! You can just have fun and still excel in it because you enjoy what you do.
A lot of times, you design a logo to be timeless, but with something like the Olympics, timelessness is maybe not something you should be going for. Maybe you should be trying to come up with something that will really become associated with a moment in time, a few weeks, that happened, period. Then you look back, think about it and connect it with that time. It may look dated later but it will be still be evocative.
I went to a really diverse and wonderful school in inner-city Pittsburgh, where all the various groups and types of people got along pretty great, and a lot of interesting stuff was going on all the time - and I still hated high school. It's just a rough, rough period in one's life.
I might sound crazy about this but, years ago, my mom told me: "We almost died when you were born. Both of us." I was a Caesarean baby, and the doctor who delivered me later told me, "I opened your mother up, and you were right there. It freaked me out because everything was broken and out-there." I've thought about it a lot - could this have something to do with the fact that I'm only happy when I'm at home and alone? Maybe I was just freaking out for two weeks before I was born, feeling really insecure.
You don't appreciate a lot of stuff in school until you get older. Little things like being spanked every day by a middle-aged woman: Stuff you pay good money for in later life.
There is something about dance that is actually a great tension. There is something that is incredibly freeing about dancing for dancers who do it. They tend to be really arty and interesting people in real life. At the same time, they have an incredibly rigorous training schedule.
Along with the good qualities, if someone isn't vulnerable I can't be around them to a certain extent. And I don't mean vulnerable to me or vulnerable to me in a sexual way. I just mean vulnerable, period.
Life is life. You do a lot of different things and you have great adventures but there's not a lot to talk about unless you're in the middle of an adventure at the time. Circumspection is not one of my better, favorite conditions, really.
I really had a rough time in middle school. Middle school to me was the way most people explain high school. Then in high school I had a blast. I basically did everything that you would do in high school or in college, so it really wasn't a difficult thing to pull out.
I can be incredibly angry with someone, I can be incredibly critical, but... I went through a period where I was reading a lot of memoirs of guards in holocausts and serial killers. I like to understand why people do bad things.
We were in the middle of a sandbar in the middle of the ocean with no one around, and still someone was following me from New York, and was hiding in some bushes like a mile away with a long lens, so he still got pictures. It was really an eye opener to how you really have to be careful about being followed everywhere. I was trying to go to the most remote place in the world, I was out on a sandbar in the middle of the ocean, and they still found me. It was definitely a very new experience.
I was incredibly nervous about doing a period drama. I thought that to play period, you had to be English-looking and blonde and very well spoken, and have gone to drama school.
It's not necessarily a church theme and it's not really about church. I like my album themes to be metaphors because it gives me the freedom to speak about something else that's going on in my life, so the Born Sinner thing is not about church, it's not even about religion. It's using that as canvas to get other messages across and that's what the album will be.
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