A Quote by Mat Kearney
When my first record came out, it was in the middle of the real Muse, Keane, British thing, and that beat-driven thing wasn't really that cool at the moment.
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I bring up 'The Heist,' and you can almost cut that record down the middle between songs where the beat came first and the words came second, and songs where the words came first and the beat came second. It can start with a vibe, a beat that drives a story, or it can start with a story and then trying to identify the tone to tell that story right.
I wake up in the morning, or the middle of the night when an idea comes through. My songwriting style, basically I just write down information given to me from the muse and how that works for songwriters. Record the muse and the muse delivers.
I was afraid of the sophomore slump even before our first record came out. It was a very real fear because I'd watched so many bands I'd loved in the past not deliver. I knew it was a very real thing. I didn't know why it happens, but I'd been thinking about it a lot.
The idea that somebody out there is that eager to hear my music in advance can only be a good thing. But growing up, I always liked that system where "release day" was a big thing, and for bands I really liked, I'd know that date. It'd be on my calendar, and I'd go to the record store that day. Sitting down and listening to the record for the first time was a real event. I wish it was still that way, but that's not the way the world works any more.
I'm not the cool thing, and I'm not going to be the cool thing for a really long time, and it isn't like I'm not the cool thing and I sell 3,000,000 records every time. I'm not the cool thing, and I barely sell 150,000 records, if that, ever. So I'm obviously working really hard to sustain myself. I'm actually a target to be dropped, because that's just not enough records for a big company.
In a lot of ways, the cool thing about modeling is that other people and artists I look up to are able to project their artistic visions onto me, and it was really exciting to be a muse in that way and carry out a vision.
I remember hearing about when U2 first came out and came to America and the gay community was their biggest following. And they were totally surprised, but they were like, that's cool. And for me it's the same thing.
All I really want is a beat from Kanye West. I've met him, and I think he's real cool with us. If I get that beat, I'm going to rap the best verse I ever dropped - even if it's his worst beat.
I'm a huge fan of Canadian rock-and-roll. When I was growing up, Rush came out with a record called Hemispheres, and I must have listened to that record for two years straight. Even when I was asleep I had it on. So, yeah, whenever I hear a Rush tune, the first thing I think of is Toronto.
Every time I finish a record, it's sort of feels like, "I can't believe that I'm hanging out and having a conversation, and people are gonna listen to this." It's an odd thing, but it's really cool.
Thinking back to my time in the U.K., before the election and then working in the British government, the thing that has really driven me is this idea of giving power to people and taking power out of the hands of those who try and grab it all for themselves.
My mother loaned me $1000. The first issue came out at the end of 1953. I knew I needed something original. I had a photographer shoot a 3D feature for the first issue and learned it would cost too much money. When the 3D thing turned out to be too expensive, at that same moment I came across the photos of Marilyn Monroe.
We're going to have a moment. It's coming: just that breakthrough that's going to give us a cool factor, and more people will want to be a part of it. Because that, to me, is the only thing we're lacking - that social thing: 'It's cool to go to a WNBA game.'
When I came out of service, the first couple of releases didn't really hit so I just took a little hiatus and sat down to see what was happening. I just glued my ears to the radio and then I started writing - the first hit record that came out was "Everybody Loves a Winner.
When I came out of service, the first couple of releases didn't really hit so I just took a little hiatus and sat down to see what was happening. I just glued my ears to the radio and then I started writing - the first hit record that came out was 'Everybody Loves a Winner.'
'Sleepless' was the first thing that came out and really gained a lot of traction online.
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