A Quote by Mat Kearney

'City Of Black And White' was me trying to do something more mature, more adult contemporary. — © Mat Kearney
'City Of Black And White' was me trying to do something more mature, more adult contemporary.
We're going to see more, and we are seeing more, and I'll tell you exactly why. Not because white and black are more likely to get together. Only a third of the seven percent of congregations that are interracial are black and white.
I don't know if it's more acceptable or if black men are more comfortable. Black men certainly are more comfortable with it. I don't know that society, like white society loves it or black women. When you see a black man with a white woman there is a feeling that you have and I think the feeling is an instinctual feeling of you want her you don't want me. I don't look anything like her, so you don't like. You know what I mean? Something like that. It's a real instinctual primal thing.
I probably saved more black lives as mayor of New York City than any mayor in the history of this city. And I did it by having to use police officers in black areas where there was an astounding amount of crime. If that crime was in white areas, police officers would be in white areas.
I started as a black and white photographer, but the colors I was seeing were just so lurid and compelling and awful at the same time. They got me looking at other contemporary art. I was gravitating more and more toward work that had visceral power, that wasn't necessarily about being beautiful but had some kind of horror in the palette.
Black and white means photography to me. It's much easier to take a good color photograph, but you can get more drama into a black and white one.
A shining city is perhaps all the president sees from the portico of the White House and the veranda of his ranch, where everyone seems to be doing well. But there's another part to the shining city. In this part of the city there are more poor than ever, more families in trouble, more and more people who need help but can't find it.
If I try to age more naturally without caging myself in, I believe I'll be able to become a more mature adult.
I don't like it when people who are young act like they're 40. That's taking too much on. Putting up a shield and trying to act like you're so mature or whatever - I don't try to act mature. Some people might say I'm mature for my age, but it's not something I'm trying to do, you know? I'm just me.
I was born in the UK and brought up by my single mother in Ghana, where being black was unexceptional. As an adult, I learnt to succeed in white Britain, going from a state sixth form, to Oxford university, to a well-paid job in the City, to becoming the first black Conservative MP to attend the cabinet.
With the White Stripes we were trying to trick people into not realising we were playing the blues. We did not want to come off like white kids trying to play black music from 100 years ago so a great way to distract them was by dressing in red, white and black.
In some ways I consider myself more Chinese, because I live in San Francisco, which is becoming a predominantly Asian city. I avoid falling into the black-and-white dialectic in which most of America still seems trapped. I have always recognized that, as an American, I am in relationship with other parts of the world; that I have to measure myself against the Pacific, against Asia. Having to think of myself in relationship to that horizon has liberated me from the black-and-white checkerboard.
When I think back, I felt like I had the life that a lot of white American kids grew up with in the suburbs in the States. I started noticing, as Apartheid's grip weakened, that we had more and more black kids at school; I had more and more black friends. But I never really saw a separation between myself and the black kids at school.
Everything always looked better in black and white. Everything always looked as if it were the first time; there's always more people in a black and white photograph. It just makes it seem that there were more people at a gig, more people at a football match, than with colour photography. Everything looks more exciting.
My mum is black, my dad is white, and when I was a teenager, people would say, 'So what are you? Are you black? Or white? What are you more of?'
We have been playing to a 70-30 black to white audience. And we are just doing what should come next, trying to attract a larger house, trying to reach an audience that's half black and white.
Any mature, responsible adult doesn't run around stomping their feet and screaming 'I'm a mature, responsible, adult.'
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