A Quote by Mat Kearney
The first record blew up and sold really well. 'City of Black & White' didn't sell as well, and that's when you wonder, 'Did I peak already?'
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I was born in the UK and brought up by my single mother in Ghana, where being black was unexceptional. As an adult, I learnt to succeed in white Britain, going from a state sixth form, to Oxford university, to a well-paid job in the City, to becoming the first black Conservative MP to attend the cabinet.
I was so broken when I did the first record. I was living in my parents' basement, I didn't know anyone. I was broken-hearted and writing this really dark record. I was at the bottom of a well.
I did a record with Janet Jackson, and it went to the top of the charts, and we had all of these complications, and she couldn't be in the video and couldn't do anything for the record. I went through something similar with Pitbull. I think it works really well for a lot of other artists, but for me, it just doesn't work that well.
It was the Michael Jordan/Nike phenomenon that really let people see that athletes were OK, and black athletes were OK. Defying a previous wisdom - not only that black athletes wouldn't sell in white America, but that the NBA as a predominantly black sport could not sell in white America.
The more disgruntled the white people are, the happier they are to see me, that has to be it. I do really well in Boston, I do really well in Cleveland, I do really well in Philly, Jersey, certain parts of Florida. Places where there are really really aggressive white people tend to love me.
"Well, we knew it. Women can't sell movies". That's what it used to be like. "Well, this movie did well, but it's a fluke."
Fabio Celon did send me pages as he progressed, both in black and white and some color samples as well. It was really exciting to see the sketches and to see the story [The Kite Runner] shaping up visually.
'Heart on Fire' didn't do as well as the last record in most territories, but South Africa is one of the places it did really well.
I have never made a cent off a record in my life. I have never recouped enough, and I never sold enough. When people see you have a song on MTV, they think you are doing well - but you know, the way the traditional label deal was set up, it is really hard for an artist, unless they sold a lot, to see anything.
I was like a wonder kid at Uptown. The first record I produced sold two million copies - and I'd only produced it because the producer didn't show up.
A well-educated black has a tremendous advantage over a well-educated white in terms of the job market. I think sometimes a black may think they don't have an advantage or this and that. I've said on one occasion, even about myself, if I were starting off today, I would love to be a well-educated black, because I believe they do have an actual advantage.
Too many times I've heard records from bands who were obviously, like, 'Well, we're at least gonna do half as well as we did on our last record. At least we can count on that.' You really have to keep that initial hunger that made some of your first best songs your first best songs. You have to keep that fire in the belly.
When I made 'A Few Small Repairs' and it did well, I followed that up with having a baby, and that was not received well at my record company. I was written off, and that had a bearing on my career.
No, if it was up to me every record would be brand new studio material but Atlantic records asked me to put out a full live record because my tour really did do well last year.
How could I resist? Look, I love that record and have nothing but great, great memories of my time with BLACK SABBATH . Tony was really busy but got his solos to me at the last minute as he promised and they are just fantastic. I think BLACK SABBATH fans will be over the moon when they hear what he's done. As for Roger and Ian , well, they just sound great on this song so it really did become 'Black Purple'. Personally, I love the irony of it all.
Well, I never made a record to be in the Christian market. So when I made my record it was to exist in all of the markets. I grew up not really listening to tons of Christian music and if I did it was in the context of all the other music I listened to. So when I made the record I definitely had plans and visions and dreams.
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