A Quote by Matei Calinescu

A real Rembrandt hung in a millionaire's home elevator would undoubtedly make for kitsch. — © Matei Calinescu
A real Rembrandt hung in a millionaire's home elevator would undoubtedly make for kitsch.
Art is not made only one way, art is a point of view? Rembrandt in our days would be Rembrandt again, because the work of the master is his self. But in order to be Rembrandt in ourdayshe would have used new ways that would give a new culture.
Undoubtedly [Beethoven's] music often verges on kitsch
Okay, okay, okay. I understood that pushing the elevator button over and over again would not make the elevator appear sooner. But I couldn't help myself
In the first Chucky film, there's a scene in the elevator where a woman is just bringing food to a friend's home and they're in that cage elevator. She says, 'What an ugly doll,' and walks away. As the elevator begins to descend, Brad just decides he's going to drop this in and it was so simple but he just goes 'F*&k you,' and the audience went crazy. It was really a marker for us, and an evolution to understand what the potential of not just this killer, but this guy that obviously has some opinions as well.
If the embodiment of the fundamental idea of our age were to be found in Victorian architecture, in the Church of Cristo Re in Rome or the Church in Brasilia, in Moscow University or the Capitol in Washington, then our age would undoubtedly be called the 'age of kitsch.'
Have we not huddled in bunkers, while some premonition of tomorrow hung in the air and a comrade started singing? Oh, it felt so melancholy! And it was kitsch.
Sir John Hall was a multi-millionaire when I came back to Newcastle. With all the players I've bought, I'm trying to make him just an ordinary millionaire.
For years I feared the opening of every elevator, half-convinced that from the opened doors would come a bullet, for me, shot by a man in a tan trenchcoat. I have no idea why I feared this, expected it to happen. I even knew how I would react to this bullet coming from the elevator door, what word I would say. That word was: Finally.
You can simulate perfection, but it's not the same. Some one can do a copy of Rembrandt, but it's not a Rembrandt. It doesn't have the vibration or the power.
The maker of kitsch does not create inferior art, he is not an incompetent or a bungler, he cannot be evaluated by aesthetic standards; rather, he is ethically depraved, a criminal willing radical evil. And since it is radical evil that is manifest here, evil per se, forming the absolute negative pole of every value-system, kitsch will always be evil, not just kitsch in art, but kitsch in every value-system that is not an imitation system.
I would rather sit still in a state of peace on a stone than ride in the motor-car of a multi-millionaire and feel the peacelessness of the multi-millionaire poisoning me.
For every wacky postcard, there's a million people waiting to buy it, and for every $10 million of those things, there's one Rembrandt. Purposely, I think I want to aim at doing something that a lot of people won't like. I'm just worried that it looks like I've compared my work with Rembrandt. "Gervais says he's better than Rembrandt!".
Before we are forgotten, we will be turned into kitsch. Kitsch is the stopover between being and oblivion.
The essence of kitsch is the confusion of ethical and esthetic categories; kitsch wants to produce not the "good" but the "beautiful."
When you don't know where you fit inside the home and you're young and you're desperate to fit in somewhere, I'd figured where I would fit outside the home. So I made some obviously bad decisions about who I hung out with and the things that I did.
Inside the mirrored elevator, Mulch used a telescopic pointer to push P for the penthouse. For the first few months he had jumped to reach the button, but that was undignified behavior for a millionaire. And besides, he was certain that Art could hear the thumping from the security desk.
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