A Quote by Mathew Baynton
I think we all have a similar philosophy about comedy and comic performance which is that it's at its best when you can see the pleasure the performer has, when you can see a glimmer in the eye.
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When I watch comedy I love to see that pleasure in the performer's eye and that sense of cheek - and even those moments when you can see someone is trying not to laugh.
I went to see 'Kinky Boots' to see my friend Billy Porter in his groundbreaking performance. But while backstage, I was hoping for a chance to meet this young, dynamic performer Annaleigh Ashford. Her comic timing was brilliant. And she is obviously a triple threat.
Should I tell you one thing, I am blind from my right eye. I see only from my left eye. The one you see is someone else's eye which was donated to me after his death. If I close my left eye, I can see no one.
I want my audience to be my friends - that is when they will get the best comedy. If they see me as a performer, they won't get the best show.
Serving people we don't see eye to eye with is the essence of Christianity. Jesus died for a world with which he didn't see eye to eye. If a bakery doesn't want to sell its products to a gay couple, it's their business. Literally. But leave Jesus out of it.
When I got into comedy, which was really for acting, I would see the guys who would be considered great today. They were great, but after a few minutes I could get kind of bored because they wouldn't move around. The dress code was boring to me. I didn't want to see the guy next door when I'm watching a performer. I wanted to see someone I would pay a ticket for.
Comic books sort of follow with the move - if people see the movie and if they're interested in the character and want to see more of the character, they start buying the comic books. So a good movie helps the sale of the comic books and the comic books help the movie and one hand washes the other. So, I don't think there's any reason to think that comics will die out.
By logic, it's a handicap. If I shut one eye, I can't see from the other eye. But it is one of those things which I don't think too much about. One needs to have the strength to move forward.
I think that when people are at their best, when they are thinking, reflecting, cogitating, then they are doing philosophy. So I don't see philosophy as an academic enterprise.
I think great humor lies in playing the truth of a situation. I see myself as a performer and that applies to a Greek drama or a modern comedy.
I think the problems with comedians that are political, and there are some brilliant ones, are the ones that offer no solutions. Not that there's a moral obligation for a comic to fix things, but I like to see a comic that's upset about something and offer a solution. It can be a funny solution. I like to see the thought process.
Sometimes I see it and then paint it. Other times I paint it and then see it. Both are impure situations, and I prefer neither. At every point in nature there is something to see. My work contains similar possibilities for the changing focus of the eye.
The ear participates, and helps arrange marriages; the eye has already made love with what it sees. The eye knows pleasure, delights in the body's shape: the ear hears words that talk about all this. When hearing takes place, character areas change; but when you see, inner areas change. If all you know about fire is what you have heard see if the fire will agree to cook you! Certain energies come only when you burn. If you long for belief, sit down in the fire! When the ear receives subtly; it turns into an eye. But if words do not reach the ear in the chest, nothing happens.
My position is a naturalistic one; I see philosophy not as an a priori propaedeutic or groundwork for science, but as continuous with science. I see philosophy and science as in the same boat--a boat which, to revert to Neurath's figure as I so often do, we can rebuild only at sea while staying afloat in it. There is no external vantage point, no first philosophy.
And at the same time, you are of course a performer, but it's very important that you understand that your role as a performer is to get the best performance from those wonderful colleagues that you have the chance to work with.
I see myself as a performer and that applies to a Greek drama or a modern comedy.
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