A Quote by Mathew Horne

A dressing room is both a personal space and a workspace. It changes with the flick of a switch: turn on the relay - the speaker linked to microphones in the auditorium - and you're at work; when that's off, it's your sanctuary.
The power I would like is to be able to turn off negative emotions and bad moods with the flick of a switch.
There's a switch inside every one of us that I guess grew there as a necessary part of survival. How can you drag a fish up out of the river for your supper if you feel the yank of the hook in your own cheek? I get that part. We can't feel for everyone and everything all the time. We'd die of fear or sorrow a hundred times a day. The thing is, it's gotten so we flick the switch off like it's nothing. And, more often than not, we forget to turn it back on.
I trust microphones, speakers and recordings less and less, and no longer buy into the idea that I can recreate at home, or in my earphones, the experience of hearing live acoustic instruments. The orchestra is already a set of speakers that react differently to each player, each room and each concert - it's that high level of uncertainly and unrepeatability that I like. The music is just soaked into the walls of a room straight from the instruments - and it's a one-off deal. The alternative - left speaker, right speaker - is kind of a compromise.
When I was playing Dracula I had to switch off from the reality and fall into this fantasy world. Otherwise I just couldn't cope with what I was doing. It's about switching off. It is about trying to flick a switch, which you have to do.
What you see out on the pitch is what I am. It's not put on at all. I'm a passionate person. It's like I flick a switch. People say it must be hard to live with me, but I find it easy to turn it on and off.
When you listen to stereo on your home system, your both ears hear both speakers. Turn on the left speaker sometime and notice you're hearing it also in your right ear.
I think it's hard to differentiate between your wrestling character and your real character - you kind of end up being both. I've always been my wrestling character in and out of the ring and in and out of the dressing room, and I was always really respected in the dressing room by the other wrestlers.
I turn a switch on to socialise on the red carpet, and then switch it off once I'm done.
We were brought up with having a love of your garden, having somewhere you can go in, it's your little sanctuary, you can go there and you can switch off.
If you want a measure of how private a place the dressing room was when I was growing up at Manchester United, consider this: even Sir Alex Ferguson would knock before coming into the dressing room at the Cliff, the old training ground. The dressing room is for the players - and the players only.
It's the warm-up in the changing room when I switch on. I don't even think about the fight until then. Some fighters are bouncing about the walls, but I switch off. Then it's like someone flicks a switch in me.
We try to talk when the microphones are on the same way we would when the microphones are off.
Undertaker was always a leader in the dressing room, always a man's man. No one ever doubted what he said because his word was good. He was a guy that set the dressing room standard. If you had an issue or personal problem, you could go to Undertaker and he would help you.
Switch off the mind and let the heart decide who you were meant to be Flick to remote and let the body glide There is no enemy! Etch out a future of your own design Well tailored to your needs Then fan the flame and keep the dream alive ... ...the future is roses! Roses!
Enterprising law-enforcement officers with a warrant can flick a distant switch and turn a standard mobile phone into a roving mic or eavesdrop on occupants of cars equipped with travel assistance systems.
I do my homework. I come to the ballpark, and I relay any message that I need to relay to the players. I get that off my chest.
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