A Quote by Mathieu Amalric
I directed three films and each time [I act] I hope it's the last time so I have time to do my film [directing].
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I've been directing for 25 years almost, and I've only directed nine films in that time because I like to be careful.
It was really an experience, being my first time directing a movie. The scenes that I was in, Brooke really directed me all the time. And the scenes that both of us were in, Brooke directed those. Come to think of it, Brooke directed most of the scenes.
I never worked on different films at the same time. I made one by one. I never made two or three films together. This is impossible! I only have one head. It is impossible for me to think about two films at the same time. There are a lot of these legends about me, and I don't know why. I'm not a legendary man. But the people all the time say I make three films at the same time, and it's not true. Don't believe these kinds of things.
The best time to release a film is on a festive date like Divali or Eid, or at a time when there are no big films three to four weeks before or after.
Each smallest act of kindness, reverberates across great distances and spans of time --affecting lives unknown to the one who’s generous spirit, was the source of this good echo. Because kindness is passed on and grows each time it’s passed until a simple courtesy becomes an act of selfless courage, years later, and far away. Likewise, each small meanness, each expression of hatred, each act of evil.
In Bollywood, you have to do one film at a time, and there are no mixed schedules. And doing four films at a time is out of the question. Telugu film industry works very differently. But the kind of films I'm getting here are better than what I've been offered in Bollywood.
My M.F.A was in directing, and all the films I've made, for film school and after, I've written, directed and shot.
The first film I directed (Explicit Ills), I did when I was like 27 years old. I had been an actor for a certain amount of time, and then I was like, "I want to start directing."
In this world, time has three dimensions, like space. Just as an object may move in three perpendicular directions, corresponding to horizontal, vertical, and longitudinal, so an object may participate in three perpendicular futures. Each future moves in a different direction of time. Each future is real. At every point of decision, the world splits into three worlds, each with the same people, but different fates for those people. In time, there are an infinity of worlds.
It's a privilege. It's a real honor. It's a challenge. Michael and I always feel we stand on tall shoulders when we make these films. Audiences come to them with a lot of good will because of what's come before. We just try to make the best film we can, each time, and hope that we satisfy the fans. I'm sure, with Skyfall, that we will. I think it's a terrific film. I hope the audiences enjoy it, as much as we've enjoyed making it.
You can act in five, six, or seven films in the time it takes to direct one film.
Well, Toronto, I consider to be the birthplace of my films. I've made three films and this is the third one to premiere here in the same theater on the same day at the same time - they are my audience. They're the people that I think about while I'm writing, directing, and editing. I specifically make movies for them.
Consider the word “time.” We use so many phrases with it. Pass time. Waste time. Kill time. Lose time. In good time. About time. Take your time. Save time. A long time. Right on time. Out of time. Mind the time. Be on time. Spare time. Keep time. Stall for time. There are as many expressions with “time” as there are minutes in a day. But once, there was no word for it at all. Because no one was counting. Then Dor began. And everything changed.
I don't bother about trivial issues. I am the master of my time. I decide how I spend my time. I act in a few films, produce a few of them, and direct a few films.
Since I keep doing several things at a time - acting, producing, directing, etc., I'm short-tempered. But my anger will not last too long and I smile after some time.
My last experience of film-making was Tickets, a three-episode film in Italy, the third of which is directed by myself. It's not for me to judge whether it's a good film or a bad film, but what I could say is that nobody had a cultural or linguistic issue with what was produced.
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