A Quote by Matisyahu

Every record I do is a learning process for how I want to do the next one. — © Matisyahu
Every record I do is a learning process for how I want to do the next one.
When Sinatra was alive and singing, he was constantly changing orchestrators from one album to the next because he said he didn't want every record to sound like every other record.
I'm always thinking about the next record. I've got like 20 different themes and then I'll scratch the themes. It's a learning process.
In democracy, every election is a learning process. You learn from every election, the one that you win and the one that you lose. And then you prepare for the next one.
They [ Factory Records] are always looking for the next group, the next big thing, to bring the record sales in and for them to promote and everything, but Factory just sign who they want to, put records by who they want to out, package it how they want to, how they like doing it. It's just run like that.
If I want to do an orchestral record, if I want to do an acoustic record, if I want to do a death-metal record, if I want to do a jazz record - I can move in whichever direction I want, and no one is going to get upset about that. Except maybe my manager and my record company.
I bought a self learning record to learn Spanish. I turned it on and went to sleep; the record got stuck. The next day I could only stutter in Spanish.
There's no school you can go to where you can study how to run a record label. Every day was a learning experience.
I can't imagine how people will react to my music. For me, it's a really fluid process from one record to the next, but it's really up to the listener.
Basically, a band's first record is them coming together and really learning everything, and then, after they're on the road and really become a unit, the next record slams.
Learning is not a product of teaching . kids are born learning. They learn how to walk, how to talk. They're basically little scientists. If we don't stop that process, it will continue.
I don't want to be judged next to guys like Suge Knight. I want to be measured next to David Geffen, Irving Azoff, and Clive Davis. Whether I measure up or not, I let my record speak for me. That's how I want to be judged - by what I've done, not by what people like Ice Cube and Dr. Dre have said about me.
I think that's one of the things you start learning from being hot and playing every day at the beginning, you know. The league, they made their adjustments and their change to you, the way they pitch you, the way they attack you, and just learning and learning from that and making the adjustments the very next at bat or the very next pitch.
I'd love to do a live record, I'd love to do an acoustic record, I'm already thinking about what I may want to do with the next studio record.
Roadrunner wanted to make Born in the Flood the next Nickelback, but I didn't want to be that. I didn't want to be a huge rock star playing songs I didn't like. I didn't want to be stuck playing 'Anthem,' the song everybody liked but I didn't want to put on the record, for the next five years.
When Josh and I are recording a record, we're very mindful of how the music will manifest itself live. That's where we have to live every day. When we tour for the next record, I imagine there will be a new story to tell, and we'll introduce new characters.
Many of us grow up thinking of mistakes as bad, viewing errors as evidence of fundamental incapacity. This negative thinking pattern can create a self-fulfilling prophecy, which undermines the learning process. To maximize our learning it is essential to ask: "How can we get the most from every mistake we make?"
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