A Quote by Matisyahu
My mother's sister married a man from Barbados, and my cousins were raised in Barbados. So we traveled down there, they came up every summer for camp, and I started paying attention to their music. And that was the first place I ever remember hearing reggae and liking it.
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I spent a lot of time in Barbados as a child and I still really enjoy going back there and enjoying the island. Going to Barbados brings back great memories of family holidays.
Anything that feels familiar and comfortable [is home]. It's wherever I feel safe and safest. Most of the time, that's just Barbados. It's warm, it's beautiful, it's the beach, it's my family, it's the food, it's the music. Everything feels familiar, feels right and feels safe. So, Barbados is home for me.
By 1956, London Transport was recruiting in Barbados, even loaning migrants the costs of their passage to Britain. British Rail placed ads in the Barbados Labour Office and the NHS appealed to West Indian women to come to Britain and train to become nurses.
The thought about changing my genre of music does cross my mind, but then I remember why I started making music in the first place or why people started liking my kind of music.
As soon as 'Hide Away' came out, it was like everyone knew who I was, and I started getting all this attention. It was hard to get used to at first. I just remember that I suddenly couldn't walk down the hallways without hearing a classmate or teacher playing it - it was unreal!
My mother's sister was killed in a trolley car accident, so I was raised as one of eight with my sister and six male cousins.
My mother's mother is Jewish and African, so I guess that would be considered Creole. My mother's father was Cherokee Indian and something else. My dad's mother's Puerto Rican and black, and his father was from Barbados.
I grew up in Birmingham, but my parents are originally from Barbados. My dad, Romeo, was a long-distance lorry driver, and my mother, Mayleen, worked in catering.
I was raised in a very religious household - it wasn't dogma, but we were raised Christian; we went to church every Sunday, Bible study, Bible camp every summer.
And, of course, Barbados is the other place where I like to be.
When I first came to the U.S. - because I do accents and I've traveled the world. I have friends of almost every single ethnicity, and I would mimic them. And when I came to the U.S., I remember one day we're at "The Daily Show." And I mimicked my Chinese friend. And the guys at the show were like, oh, hey, don't ever do that again. That's really racist.
My parents came over from Barbados in the late 1950s and early '60s.
Summer camp was a place where I felt like myself that wasn't like school. There were no grades, we got to try lots of new things, and I started to play guitar at camp. It was a place for acceptance and learning to be a part of a community, but also learning to be yourself. I want that for all kids, but some kids don't have the opportunity to go to camp. I want to help.
One of the first places where I started to respond to song lyrics was in reggae music. A lot of what I was responding to were references to the Old Testament. It was not that I had to adapt the lyrics to the sound. Reggae and the Old Testament are bound up together. There wasn't anything that I had to do.
AC/DC, Def Leppard, Alice Cooper - I learned stories of all these guys. That's when I fell in love with Queen, which is one of my favorite bands of all time... I started paying attention to what made music good. I started paying attention to why I liked it.
Reggae, oh man. It's the ultimate music. The positivity. The musicality. The whole cultural expressionism of it. The danceability. Just the cool factor. The melody factor. Some of it comes from a religious place. If there were a competition of who makes the best religious music, it would definitely be the Rastafarian reggae.
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