A Quote by Mats Sundin

Everybody is excited to play so I think who plays with whom is a minor thing at this point. — © Mats Sundin
Everybody is excited to play so I think who plays with whom is a minor thing at this point.
I think Chris Paul is a great player. He is very unselfish and plays very hard, so he would be a guy if he plays. I think his hand is still questionable, though. I hear they are talking about resting him that weekend. I'm excited to play with all the guys. Marvin Williams is starting to play well, and Salim Stoudamire, I think he should be there.
If you made me the national commissioner of football, I'd tell you one thing that I would mandate. The second Saturday in September, we're going to have conference day. Everybody from the SEC plays a Big 12 team. Everybody from the Big Ten is going to play the ACC. Everybody from the Big East is going to play the Pac-10.
Canada needs individuals to whom educators can point, and of whom we can be proud, whether athletes or astronauts or anything else. I think the role each of Canadian plays is not so much "Look at me," but rather, "Look at our country".
Curiously enough, the only two plays that I've done very much revision on were the two adaptations - even though the shape of them was pretty much determined by the original work. With my own plays, the only changes, aside from taking a speech out here, putting one in there (if I thought I dwelled on a point a little too long or didn't make it explicit enough), are very minor; but even though they're very minor - having to do with the inability of actors or the unwillingness of the director to go along with me - I've always regretted them.
The thing I know how to do most is write a play. I came up loving plays and learning about plays and writing plays. I actually feel like an outsider when I'm writing movies and television.
The nicer the point, the more -- the better I feel, the more excited I get. But I never play that my opponent looks stupid. I think that is wrong. I have too much respect for every opponent I play.
According to current Florida law you can get a gun, follow an unarmed minor, call the police, have them explicitly tell you to stop following [the minor] and choose to ignore that, keep following the minor, get into a confrontation with them, and if at any point during that process you get scared you can shoot the minor to death, and the state of Florida will say, 'Well, look: you did what you could.'
The fighting in the NHL, especially, and, I think, in some of the minor leagues, it's usually the loudest and the most excited the crowd gets during the entire the game.
It's more than usually possible that I won't do a play again. But Skylight is one of the great plays in the English language. I was lucky enough to be a part of it at one point in its life, and it's a timely thing to deliver it again in the modern world.
Everybody is going to be excited to play in a Super Bowl. When you still enjoy the preparation and the work part of it, I think you ought to be still doing that. I think as soon as I stop enjoying it, if I can't produce, if I can't help a team, that's when I will stop playing.
There's not a Sunday that goes past that I'm not excited to play this game. I feel as if I'm a lucky individual to have the opportunity to play this game, and when I do have the opportunity to finally play, you can bet your last dollar I will be excited to play.
I love everybody. Each one plays the role they have to play.
I think everybody needs to think about making plays for the team, making winning plays, before thinking about how many points we're going to score and stuff like that.
I don't write political plays in the sense that I'm writing essays that are kind of disguised as plays. I would really defy anyone to watch any of my plays and say 'Well, here's the point.'
The egos in this industry are incredibly vulnerable and everybody's afraid to wipe out. So everybody plays it safe and everybody tells everybody else how great they are.
I was essentially trained by Oscar Hammerstein to think of songs as one-act plays, to move a song from point A to point B dramatically.
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