A Quote by Matt Barnes
Yeah, I'm doing some stuff behind the camera. Producing and directing. I feel like my face has been on TV enough in my lifetime that people don't need to see me like that anymore.
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I have a lot of appreciation for what people do in front of the camera as well as behind the camera. I don't think I could like one without the other. Eventually, I think the road will lead me down to producing or directing, because it's more about problem solving.
I'm focusing on my efforts behind the camera. I'm doing some producing and directing so that I can make projects for all of the amazing, talented actors and crew that I know.
I am semi-ambivalent about being on camera - sort of low-key. I don't like being on camera stuff that much. I like radio and live performing stuff. I don't like the television stuff as much. Some people do. It takes a certain breed of cat. There is a ton of pressure and you need to read cue cards. I am not a good cue card reader. Being a poor reader was enough to make me not want to do that type of formatted show.
Sometimes you feel a need to express yourself, and there is no better way than to go to places where people need everything. It's dramatic, it's tragic. You just can't understand why, in the world of today, there are still things like that. The images you see on TV kill you. Of course when you are there (at these trouble spots) you can't turn off the TV. You are face-to-face with reality.
I couldn't be 'Johnny' in front of a camera in acting jobs and behind the camera I like to be 'Michael.' With directing, you can't do it by halves. There's a lot of reflection, and I have found that I, as 'Michael,' thrive on it. It's lovely coming home and feeling that stuff from a day's work as myself.
I can't remember who it was - maybe Brian Eno - but some important musician guy said he recorded ambient noise from a city street and after he listened to these field recordings for the millionth time, it was like, "Oh yeah, at 1:23, that's where the car horn comes in." So when you're doing stuff like this, and you've been working on it for a year, you're like, "Oh yeah man, that makes perfect sense!" And then you forget when you give it to people, they're bewildered.
If I'm not directing it, I need to be right in the director's ear so we can be talking about this." You do something like use the wrong music, the tone's off, and everything feels off". And I was like, "I'm not going down with this one. I wrote it, but I don't like that play." Then I thought, "Well, no one's producing my stuff, letting me star in it, and direct it at these theaters, so I'll just do them in comedy clubs."
I've always been interested in directing, writing, and producing, so when I went behind the scenes, it was like a whole new world that I got to experience.
People can see you on TV sloshing paint around with big four-inch brushes, and I learned to talk to camera in a friendly voice, not talking down to people, just explaining what I was doing. People like Picasso, Van Gogh, and Rembrandt did not have a weekly TV programme where people could see them painting.
To be honest, I don't know... something about the camera like turns me into such a diva. Like when it's on and I see my face in the camera, I'm just like, oh girl you look so good!
I feel like when you're dancing, especially how we're doing it on live television, you need to give that energy to the camera which is mainly with your face.
I would say a lot of people think I'm too serious at times, but actually I feel like I'm the opposite away from the camera and everything. I feel like I have a good time, but you rarely see pictures of me in the garage with a smile on my face, even though I am happy. I guess I just don't always show it.
I'd like to do what I see in my head. I always feel like I'm directing with one hand tied behind my back.
Some cameras are heavier and need to be on tripods. Others are small enough to hide in your pocket. There are places where you don't want to feel like you are disturbing anything, so I may use a camera like that.
You see me in my most virile moment when you see me doing what I do. When I am directing, a special energy comes upon me. ... It is only when I am doing my work that I feel truly alive. It is like having sex.
For some reason, I think that I'm not doing enough work. People are like, 'You're on a series right now,' but I'm always like, 'Yeah, but I can do more!'
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