A Quote by Matt Barnes
I was one of those guys that really had to fight to make it in this league. Early on, I really had to do whatever it took, whether it be fight, rough people up, to make the team. I looked at it as it's either me or them - and it was going to be me.
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When I first got to WWE, people thought I was going to be fired within three months. No one liked me; no one wanted me there, whether it was the fans or the people backstage. I had to fight and fight and fight to earn my spot.
People I looked up to a lot were, you know, Oprah because she had a rough childhood but overcame so many obstacles and broke barriers to become who she is. It was really eye opening to me: just because I had a rough childhood doesn't mean that I can't make something of myself.
I don't have a list, really. I just want to fight guys that are highly respected by the fans, and I want to fight guys who make me nervous. With high risk comes great reward. I want to be a champion that can honestly look people in the eye and say, "I've fought the best guys in the world."
All my life I had to fight. I had to fight my daddy. I had to fight my uncles. I had to fight my brothers. Girl, child ain't safe in a family of men, but I ain't never thought I had to fight in my own house. I loves Harpo. God knows I do. But I'll kill him dead before I let him beat me.
It doesn't hurt me on a personal level, but it hurts me on a larger level of like, why are people so stupid? Why do we have to go through these unnecessary exercises. Fight crime, don't fight me. If you really want to make a difference don't fight me or Fugazi.
When I watched the first fight between Woodley and Thompson, and I want to make clear that I really admire both guys, for me the fight was really boring at UFC 205 because nobody pulled the trigger for three rounds. The fourth round there was a scramble and that was really exciting, but then the fifth round was so-so again.
Growing up training, I use to get up so early I would wave to the garbage men going by. So, I had this relationship with Blue Collar America and I really liked it. I felt that lots of those people looked forward to me winning.
Fight, fight, fight and more fight. If you have that burning desire in you, if you're just one of those guys that does not like losing and you fight and you fight and you fight, that's what makes you a good wrestler.
I found people I really wanted to work for; I made myself available to do whatever I could with the skills I had; I took some risk, packing up and moving to Chicago; and I looked for the opportunities that fit for me. So I think the biggest advice is to find people you love to work for who you're going to learn from.
I thought I had everything going for me. I wasn't listening to nobody. And my dad was like, 'Uh-uh, you can't make money from music. You have to be a doctor, a lawyer, engineer. Something that's going to do something for this world. Music doesn't do anything.' And I had to fight that, his passion, and fight the society that I was from.
I think there's an opportunity for a couple of them for sure, maybe more depending upon the situation, but it's too early to say which ones. It's a pretty competitive fight. And that doesn't mean the older guys are just going to walk into spots. I remind them all the time - you got to earn everything you get. And that's what made our team good last year, is guys really competed for opportunities and understood their roles.
Hitler had this deal where he was supposed to make it rough on them so they would all get out and migrate to Israel because they needed people there to fight the Arabs.
I know who I want to fight, but I don't pick my opponents; I leave it up to my team. They make those kinds of decisions. My job is to fight and win.
Around 2010 - I took a long look at everybody I had around me because I wanted to make sure they were aligned with how I felt. I'm not ashamed of who I am or where I came from or the size God gave me. There was a large percentage of people who weren't [on the same page]. So I really shook up my team.
I've had a lot of people come up to me after shows and tell me that "Dollhouse" really helped them with whatever they were going through with their families. I thought that was really amazing, that it could mean one thing for me but another thing for someone else.
When it came time to do 'One Hundred Years' I had been encouraged to really make a Styx album without the guys. I gave myself permission to do that. I set out to get people who sang with me who could make those harmonies.
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