A Quote by Matt Bellamy

A guitar being played by an actual person is never going to be as precise and perfect as a programmed synthesizer. But we maintain there is value in the potential for human error.
If the guitar synthesizer is really going to stand as a synthesizer on its own, it needs to develop a more characteristic sound; I don' think it's gotten there yet.
I played a guitar with a file, and a synthesizer.
The classical error of historical Christianity is that we have never started with the value of the person. Rather, we have started from the 'unworthiness of the sinner', and that starting point has set the stage for the glorification of human shame in Christian theology.
Sometimes you think that you need to be perfect, that you cannot make mistakes ... realize you are a human being - like everyone else capable of reaching great potential but not capable of being perfect.
A guitar riff played on a piano doesn't come close to the purity of it being played on a guitar but I faked it enough to get by.
The most obvious thing you can't do with a guitar synthesizer is to really sound like a guitar.
Computers were programmed to swap out error-prone, inconsistent human calculation with digital perfection.
We are programmed; we are literally programmed genetically and then we are programmed environmentally and most people never break out of that programming.
You need to focus on creating the actual value of the company, not just the theoretical value. The actual value comes from a great product that sells well and is ultimately profitable.
I actually played guitar before I played drums. And I always play guitar on the Slipknot albums as well, as well as being responsible for a lot of the songwriting.
Perfection isn't human. Human beings are not perfect. What evokes our love--and I mean love, not lust--is the imperfection of the human being. So, when the imperfection of the real person peaks through, say, 'This is a challenge to my compassion.' Then make a try, and something might begin to get going.
My guitar is a 1934 National Trojan. They call it a resonator, which is the guitar guys played in the honky-tonks before amplification. It's very loud. It's the type of guitar that Son House and Robert Johnson played.
I've always been fascinated with sound, since I was a little kid when my mother Dorothy Dean took me to my first piano lesson. Later on, my guitar, bass guitar, and synthesizer were my secret weapons.
Dorsey played the upright bass and steel guitar, as well as acoustic guitar. Johnny played acoustic guitar and together they were fabulous songwriters and singers.
There is far more sensitivity in acoustic guitar players than could ever be compared to any synthesizer. That's a personal point of view but that's the way I see it. I think that's what it's all about. The drive, the fire, the passion - it all comes out on the guitar.
After months of playing air guitar to 'Free Bird', what really got me into guitar was watching a documentary about Jimi Hendrix and picking up the Woodstock soundtrack. Listening to his version of 'Star Spangled Banner' and 'Purple Haze.' My brother played acoustic guitar and, idolising him, I thought, 'I'm going to get a guitar.'
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