A Quote by Matt Berninger
I never sit and fill a journal with lyrics. Most of the time I'm trying to write a feeling, not a story. I'm not necessarily trying to describe the details of a place or event so much as the feeling of the thing. It is a kind of weird alchemy that is elusive until it feels right.
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In fiction you can make up everything to create the feeling. You can manufacture a story with whatever tools you want. With nonfiction you have to rely on what actually happened to describe what you're feeling. That's hard. You have to know what will feed into the emotion you're trying to convey. And that's hard because you don't necessarily know what causes your emotions.
The lyrics are always the last thing I do. I always have a recording of basic tracks and maybe some of the lead work. I'll sit back and listen to it, and I'll just concentrate on what kind of feeling it gives me. My goal writing the lyrics is to not disrupt that feeling.
Trying to describe the process of becoming an alcoholic is like trying to describe air. It's too big and mysterious and pervasive to be defined. Alcohol is everywhere in your life, omnipresent, and you're both aware and unaware of it almost all the time, all you know is you'd die without it, and there is no simple reason why this happens, no single moment, no physiological event that pushes a heavy drinker across a concrete line into alcoholism. It's a slow, gradual, insidious, elusive becoming.
I want to write for people that are trying to do some kind of quality music. What I mean by quality music is not so much the trend, what is hot right now. I don't write trendy, I write what feels good and something that feels good will never get old. Timeless music is what I try to shoot for.
There is a paradox in politics that what it takes to get elected is not necessarily what it takes to govern, and my feeling is that trying to control things too much feels icky to me.
All movies are alchemy and time is one of the ingredients that goes into the alchemy. You want the time to be right; you don't want to rush it. You need the right script, the right cast and the right feeling in the culture.
Co-writing is a very unnatural feeling. It's like wanting to document a feeling that you have and then trying to get someone else to describe it for you.
What's required of me in the field is to feel,' Stirton says with emphasis. 'And trying to take that feeling and put it in a form that communicates a particular set of emotions or circumstances - whether that involves depicting masculine pride, or a particular kind of suffering, or love, or closeness - my primary job is to feel and to try to put that feeling into some kind of visual form. My goal is to get to the heart of each story, you know? I’m trying to evolve in my work.
There's a feeling that you get when you write songs where... it feels like it's destined to do something. Then sometimes you get that feeling with a song and it never goes anywhere, that happens all the time too, so you never really know.
It took me ten years to write a proper story. I floundered about trying to shape something, counting on the 'feeling' I had as I wrote, only to discover upon rereading my work that the feeling had disappeared, and what remained was an empty shell.
I'm just looking at whatever moment I'm at, trying to tell a story that at that time feels like it needs to be told, like I want to see it and how I'm feeling in my life.
Win 10 times in an important event like Monte-Carlo is something difficult to describe the feeling. Every year have been a different feeling. At the same time is always a unique moment every time I have this trophy with me.
It feels like a rash. It suddenly seems like I've got a contagion of diseases, I mean awards. But it's nice, it's a nice feeling. It's so weird, because I'm only 46. A lifetime Achievement award... it feels like 'I'm not over yet'. I hope they're not trying to say it's time to stop. I'm only just getting the gist of it.
You want to have a feeling when you sing that you just love singing; you love the feeling of singing, and you love this feeling of this voice coming out of your body into this world. It's about really getting that most beautiful, pure, centered tone, thinking about the story of each song and the lyrics, and connecting your own life to that story.
When I sit down and try to write lyrics first - I've definitely done that in the past - but most of the time, they come off as a put-on, or less genuine than you would think. I'm the kind of guy that if I overthink a sentiment or I overthink a statement, it's weird.
A journal is a very personal thing. As far as possible, to write this sort of book you need to know and feel your character as a person and then put yourself into that person's mind, place and time. Trying to stay in that person, place and time is a challenge when surrounded by this very different world of the 21st century.
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