A Quote by Matt Berry

If it's funny or it's good, then yeah, I'll do it. Whether it's big-screen or whatever wouldn't be the deciding factor for me. — © Matt Berry
If it's funny or it's good, then yeah, I'll do it. Whether it's big-screen or whatever wouldn't be the deciding factor for me.
We have moved beyond the point of trust being simply a key factor in product purchase or selection of employment opportunity; it is now the deciding factor in whether a society can function.
I think what it is is, if you're in school and you're not that bright or good-looking or popular or whatever, and one day you say something and someone laughs, well, you sort of grab onto it, don't you? You think, well I run funny and I've got this stupid big face and big thighs and no-one fancies me, but at least I can make people laugh. And it's such a nice feeling, making someone laugh, that maybe you get a bit reliant on it. Like, if you;re not funny then you're not...anything
I like to invest as a performer in the director's vision and then bring a sense of reality to whatever I'm doing, whether it's comedy or whether it's drama, and trust that they're going to tell me if something's reading as funny or if it's reading as dramatic or reading in the right tone.
Speaking for myself, I spend a good ten minutes a day deciding whether or not to read the results of new surveys, and, once I have read them, a further five minutes deciding whether or not to take them seriously.
It's funny because the perception is that the typical 'X Factor' contestant is the person who's just working 9 to 5 and just decides to one day go and audition. So yeah, for me, it was a very different story.
Great cataclysmic things can go by and neither the orchestra nor the conductor are under the delusion that whether they make this or that gesture is going to be the deciding factor in how it comes out.
I'm doing whatever my team needs me to be. Whether it's play hard, screen-and-rolling, ducking in, whatever the team needs me to do to be successful, that's all that I care about.
Whenever I get a good script, I don't care whether it's telly or theatre or big screen - I'm not bothered.
With Mel [Brooks], only one time and that was later on during "Young Frankenstein" - never with Zero [Mostel] and never with Mel except I was writing every day, and then Mel would come to the house and read what I'd written. And then he'd say, yeah, yeah, yeah, OK, yeah, OK. But we need a villain or we need whatever it was.
My faith is central to who I am as a human being, not just as an actor - so it informs every decision I make, whether it's deciding on a project or deciding on how to treat the guy who cuts me off in traffic.
I think what matters is whatever you do on screen should be good irrespective of the time you have on screen.
Software unification. So that I no longer care what computing device I pick up, whether it's a laptop or desktop, whether it's one I own or one in a public place, whether it has a small screen or a large screen.
Whatever I do, no matter it's for television, web or the big screen - it should satisfy me as an actor.
I'm not a good rapper. For whatever reason, my brain does not work that way. I just do the beginning, like, 'Yeah, yeah! Ha ha! Woo! What up? Come on! Get at me!' I'm Captain Hook.
There will always be storytelling, whether it's on the big silver screen, or it's your television or your iPhone or whatever, people will keep on telling stories.
I am very different in real life as compared to whatever people have seen of me on the big screen.
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