I find the fact that so few people buy albums to be strangely emancipating. There's absolutely no reason for 99% of musicians making albums to think about actually selling albums. So as a musician you can just make an album for the love of making albums.
I think when you dissect a joke too much, you have ruined whatever there is in comedy.
I just liked stand-up comedy so much. I used to memorize Bill Cosby albums and other people's albums, George Carlin, Flip Wilson.
I keep on repeating something told to me by an American psychologist: "When you are making a joke about someone and you are the only one to laugh, it is not a joke. It is a joke only for yourself." If people are making a joke they have the right to laugh at me but I will ignore them. Ignoring doesn't mean that you don't understand. You understand it so much that you don't want to react.
I think there's a difference between making comedy and reporting comedy. When you're a joke teller you can easily fall into the second, you can show up and just say the jokes.
I think making small movies reminds you of the effort. When you make big movies, the effort is to fight for freedom. When you make small movies, the effort is making the day, making the budget, and it's great, too.
I started running to different albums, and I was starting with the short albums and moving on to the longer albums. I was interested in how they built up, in tempo and intensity. it made me interested in albums again, too.
I don't like it when people are trying too hard. That goes for clothes, for acting, for everything. It's just not good when it seems like you're making too much of an effort.
When I was working with Barry Sonnenfeld, I'd watch him set up a shot and talk to him about what he was seeing and what it was to shoot comedy. He told me that a lot of times with comedy, it's not just about getting the joke, but getting a reaction to the joke. That's the laugh - it's somebody's else's reaction to the joke.
Ah, Signor Halt,' he said uncertainly, 'you are making a joke, yes?' 'He is making a joke, no,' Will said. 'But he likes to think he is making a joke, yes.
'Vol. 3' is the most pleasing of our albums to me. And I want to keep making albums that are different from each other. And you can bet all our albums will have that twist that only Slipknot can do.
There are a lot of great jokes you can sit down and write, but that's just a written joke, versus the comedy of the situation. Ideally, you're pulling as much comedy out of the situation as you can.
There's too much of everything - too many bands, too many albums, too much information all the time. You're seeing fewer album releases treated as big events, because of the influx. It's almost a "here this week, forgotten next week" thing.
A joke is a joke, and people put too much meaning behind it. They react to it in the wrong way. I mean, you can boo or laugh, and that's pretty much what you're supposed to do with jokes. You're not supposed to take it any further than that.
Often when you're filming comedy and you've done six or seven takes, the joke's been done and you know you're gonna have to say it again in another set up. I think it's good not to be indulged too much.
If you work at comedy too laboriously, you can kill what's funny in the joke.