A Quote by Matt Berry
When you come to the end of a TV project, it's good to be able - and I'm kind of lucky - that I can just go into a different medium, make another album, or do whatever.
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You can't walk into Wal-Mart and just walk out with a TV - you can't just download a TV. So don't go and download the Jadakiss album without paying for it. It cost money to make that album, dude.
I call it "being interrupted by success." We had done The Soft Bulletin, which came out in 1999, and we knew we that were gonna make another record before too long. But in between this, we were still in this mode of kind of just - not re-creating what we could be, but kind of doing different things. For the longest time in the Flaming Lips we were like, "Make a record, go on tour. Come back, make another record," and you know, I think, frankly, we were kind of like, "There's more to life than just recording records and going on tour."
With a film you go with the script that's already written. And I've never thought of a project, a film that would come from my own desire. I don't think I can do it. I need someone else's desire to be able to do something. With a record, it is completely different, it's a collaboration with another artist, but I'm willing to go into intimate places with no masks on.
TV has a longer narrative, and TV's more like short stories. So there's less rules with TV; you can make it a little bit different. [With] movies, the medium has more constraints, so it was just about what stories are the most cinematic and the best resolution.
People love that kind of beginning, middle, and end. They like that comfort of turning on the TV week-to-week and being entertained with a good story. There's nothing wrong with TV franchises because, first of all, they're successful. They just make people feel good and hopefully make people think about other people.
You are always looking for a different kind of read and a different kind of intention when you are by yourself in the booth. Occasionally you are playing off of people, but it is a bit of a different muscle that you have to flex. At the end of the day though, it really is all just great fun and play that we are lucky enough to get paid for.
I thought I'd go away and make one album, but it was extended. The album did so well, and they wanted another album. I was on a high. You make hay while the sun shines, and I was doing it, and you think about yourself; that's what you do.
What's interesting in scripted TV is different than what's interesting in reality TV. Each of their departments have their development process where they package things and put together the writers and put together the producers and the different elements and develop the projects. By the time you get to a network or to a studio, you're able to say this is the project, here's who the producer is, sometimes even here's who the star is, here's who the writer is. It's a well-developed project by the time it gets to the studios.
I think record cover sleeves really led towards, but at the same time the album as we know it didn't come into being until mainly after the Second World War because record labels realized they'd be able to make a lot more money putting all the singles of an artist onto one album and selling the whole album as a kind of a concept.
When I'm writing my album, it's totally my world. Even though it's myself and another producer creating the project, Conceptually it's more under my power and on my own terms. At the same time, it's a different type of pressure because I'm ultimately speaking, I'm solely responsible for the end result.
When I was growing up, I would listen to a different album almost every night. I would do the full album experience before I went to bed and that's how I would discover a lot of music. I would kind of go into another world with my headphones on.
I think the radio is kind of cool, because you're really free to do whatever you want, because you can go into another world. Whereas in TV, you have to make that world.
When recording, whatever you first think about, you come out with something totally different at the end of it. Whatever plans you have you throw away, because it's always going to end up sounding pretty different from what you initially thought of. I probably only had about five or six songs when I started, and it just sort of flowed from that.
You can play yourself and make a very good career out of it. Do the same type of role, the daring, good-looking, dashing kind of guy. I mean, there's a role for that guy in television, films, whatever. But people who are able to shape-shift and go from drama to comedy to whatever, there's an art to it. Especially in Hollywood.
Variety is very, very good. Going from medium to medium, if you get the chance to do it, from theater to television to film, which are all distinctly different, keeps me sharp. What works in one doesn't work in the other, and you have to be looking for the truth of the performance, whatever way that medium might demand.
I am alone a lot, which is good. I need that time to just be alone after a long day, just decompress. So, I go to either my house or the hotel, or my apartment, or whatever - wherever I am, I go home and I watch TV and I sit there, with my cat, and I just watch TV or go online, check my emails.
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