A Quote by Matt Besser

I grew up in the '80s, when breaking was cool, and then it got corny in the '90s, and it became cool again with all these choreographed B-Boy dance crews. — © Matt Besser
I grew up in the '80s, when breaking was cool, and then it got corny in the '90s, and it became cool again with all these choreographed B-Boy dance crews.
I really love rap music. I grew up in the '80s and '90s with Public Enemy, N.W.A., LL Cool J - I'm a hip-hop encyclopedia. But I got kind of frustrated with the chauvinistic side of rap music, the one that makes it hard to write songs about love and relationships.
I grew up thinking my father was tacky. There was no color coordination. It was whatever was cool. 'These sweatpants are cool. I'll wear them with these shoes that are cool.' He had less inhibitions. I wasn't respectful of his swag then.
I got an Apple TV and hooked it up right away. Undeniably, this is the way of the future, period. It just is, and that's cool. What's cool about this is that we got to do something so playful, cool, kick-ass and over-the-top.
I was a choir boy at school, then when the choir became less cool, I became a kind of rock star in my own world.
I grew up on the South Side of Chicago, north Beverly. It was cool, everybody's cool on the block.
A good compilation tape, like breaking up, is hard to do and takes ages longer than it might seem. You've got to kick off with a killer, to grab the attention. Then you've got to take it up a notch, or cool it off a notch…oh, there are a lot of rules.
Cool is spent. Cool is empty. Cool is ex post facto. When advertisers and pundits hoard a word, you know it's time to retire from it. To move on. I want to suggest, therefore, that we begin to avoid cool now. Cool is a trick to get you to buy garments made by sweatshop laborers in Third World countries. Cool is the Triumph of the Will. Cool enables you to step over bodies. Cool enables you to look the other way. Cool makes you functional, eager for routine distraction, passive, doped, stupid.
I was a teenager in the '80s, and I was always a bit dismissive of Houston, as I think a lot of people who considered themselves 'cool music fans' were. She was poppy, bubble gum, making music not considered very cool. But you can't help but dance to some of those songs or feel emotionally affected by 'I Will Always Love You.'
You cannot represent cool. You've got to be cool. You've got to be authentic. I think, after all these years, that is how I define cool. It is being authentic. That is powerful.
I grew up looking up a lot to '90s supermodels like Cindy Crawford and Naomi Campbell. I just thought those women were such cool role models because they had a good body ideal, too.
At college, I became friends with this girl who was a 'cool Christian.' They did street dance, then they prayed. It became my whole world. I had Christian friends. I went to Christian parties.
If we're evaluating cool to the way other rappers appear to be cool, then I'm not cool at all.
Any fool can do something cool and look cool, but it takes skill to make something uncool cool again.
I've danced my whole life. Martial arts is just fun for me, it's all choreographed a bit like dance. I have done Muay Thai and Wushu, which is cool because it's very fluid dance. I also do Tricking. It's kind of like Taekwondo with the big kicks and flips and showier aspects of martial arts.
I grew up in South Central Los Angeles in the '80s, back when it just wasn't a cool scene. But my mother had the foresight to look for a number of projects that would keep us away from the streets.
I remember, when I was a kid in the '70s and '80s, the '50s were really cool. And then the '60s were really cool. And then the '70s.
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