A Quote by Matt Besser
It seems like the real television networks, the amount of people that watch each network is going down and down, and the amount of people that watch each website is going up and up.
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If you can't get your core audience to watch the show, it's very hard to then pull in enough people outside of your fan base to your network. The networks are just so branded now; USA can't really do a dark despairing drama and FX can't do a blue-sky show. People watch the networks they watch.
Actually, it is precisely in overworked countries like Japan, England and the US that people watch an absurd amount of television. Up to four hours a day in England, which adds up to nine years over an average lifetime.
Quite often I'll turn on the television and something like Sound of Music will be on or Victor/Victoria and I might watch a moment or two. But I don't actually sit down and say I'm going to watch one of my movies.
I like to pick out a certain part of each show I'm in and I watch it when I'm not onstage or in my dressing room. I'll go down to the stage and watch that part of the show each night.
Ultimately people don't watch shows because of how realistic they are. They watch them because of the same dramatic elements that have always made stories interesting. And fundamentally if those elements don't work, no amount of reality is going to be enough to keep people watching a show.
It's much more fun, I think, to watch something physical than just heads talking to each other. I like watching people fall down and push each other.
I did not sit down and watch 'Baywatch' growing up. But I do specifically remember it coming on, and I remember it going off. I watched something that came on right before and then going back to that channel to watch what was coming on afterwards.
I think that's my favorite thing about making scary movies, watching people watch them. When my films come out, I like to cinema hop and know what moments are coming up, I pop my head in and watch people squirm or slide down in their seats. I like that sadism!
What I want to do is make things that I think people want to watch. I'm a film fan, so I think I'm in touch with other film fans and that they might want to watch stuff. The other reason I really don't care is because no matter what you do in life, no matter what you wear, or what you say, people are going to like it or they're not. And that is all. Everything, down to the socks I chose today - people are going to like them or they're not and there's nothing you can do about that.
Netflix shook it up, brought this whole new generation of people who said, 'I watch things when I want to watch, how I want to watch, where I want to watch, and that's something that no one's going to ever forget.' This has changed the game completely, and I think it's the tip of the iceberg.
'Bosch' itself - it has a huge fanbase already from the Michael Connelly books, so it was definitely intriguing because you know going in that there's all those people who will want to watch it, and I knew it was going to be a down-and-dirty, gritty, no-make-up part, so that was scary and yet so exciting.
Imagine a different world, one in which people do not spend an inordinate amount of energy fuming against their fate each time they make a mistake. ... though we all agree that to err is human, each of us individually believes that he or she is the exception. ... Make a mistake? Not on my watch!
Take Wanderlei Silva, everybody knows we don't like each other, but if he's fighting I'm going to watch because he's a very exciting fighter. I'm a Wanderlei Silva fan, but Sonnen, I don't know why people watch him. They probably watch him to hear his interview after his fight.
I don't understand the fashion industry and the appeal of it. I understand that there are some people who think it's important to them, and they're designers, they're artists, but there seems to be a disproportionate amount of our culture that's caught up in that and the red carpet stuff. It seems like there's a disproportionate amount of attention placed on that.
The incumbents just have a ton more money because they have rigged the system to help themselves, because they have these networks of small donors. Meanwhile, the amount of people, the incumbents being reelected has just been - that has been going up and up and up.
Just because it reads well doesn't mean it's always going to look good on screen. Then, a network or studio has to pick up the show, and then they have to order more episodes, and then people have to watch it. It could be the greatest thing on television that nobody ever watches.
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