A Quote by Matt Bomer
When you are the avatar for the writer/director, a lot of times, I just trusted him. If he had a choice, even if it wasn't necessarily what was my first impulse, I was like, "Billy Ray has been living with this for two years before I even came on board, so I'm going with him."
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Before writing a single note of music, and even before the spotting session, I find it best to sit down with the director and just listen to him or her talk about the film - what they're trying to say, what they want the audience to understand or believe, and a thousand other similar questions. The director has most likely been living with the film for years before a composer is attached, and so the director's inclinations, desires, and understanding of the film are paramount.
We had a great connection with Pedro Almodovar from the beginning. Even before I met him, it was so strange. I felt like I already knew him. I loved him even before I met him. It was so powerful. And when I looked at him in the eyes, this was the feeling that I knew I was going to have with him. It gets bigger and bigger every day. I adore him. It's much more than working together. He's a really special person in my life.
Wayne's my man. I'm proud of him, he worked hard. You know with a lot of people, Wayne's been doing this for years. Wayne had a record deal before I had a record deal, you know what I'm saying? Even though Cash Money been our for 12, 13 years so you know, for him to come up for where he came up, it was all them, B.G, Juvie, Turk, everybody. To see him excel from all that and become one of the hottest people in the game, 10, 12 years later, I'm really proud of him. That's my lil' man.
I had to get over [him]. For months now, a stone had been sitting on my heart. I'd shed a lot of tears over [him], lost a lot of sleep, eaten a lot of cake batter. Somehow, I had to move on. [Life] would be hell if I didn't shake loose from the grip he had on my heart. I most definitely didn't want to keep feeling this way, alone in a love affair meant for two. Even if he'd felt like The One. Even if I'd always thought we'd end up together. Even if he still had a choke chain on my heart.
Billy had a framed prayer on his office wall which expressed his method for keeping going, even though he was unenthusiastic about living. A lot of patients who saw the prayer on Billy’s wall told him that it helped them to keep going, too. It went like this: “God grant me the serenity to accept the things I cannot change, courage to change the things I can, and wisdom always to tell the difference.” Among the things Billy Pilgrim could not change were the past, the present, and the future.
Even if you find him. Even if he didn't leave you on purpose, he can't possibly live up to the person you've built him into." It's not like the thought hasn't occurred to me. I get that the chances of finding him are small, but the chances of finding him as I remember him are even smaller. But I just keep going back to what my dad always says, about how when you lose something, you have to visualize the last place you had it. And I found?and then lost?so many things in Paris.
I never made conscious choices. There were times in my life that I chose the first job that came along because I was broke. I think that there were maybe a handful of times that I had a choice. In recent years, Ive had more of a choice, and its been very nice to have that choice, but most of the time, you just hope that theres another job after this one.
He had been driven hither by the impulse of that Remorse which dogged him everywhere, and whose own sister and closely linked companion was that Cowardice which invariably drew him back, with her tremulous gripe, just when the other impulse had hurried him to the verge of a disclosure.
He chose a certain path in life, it proved to be a misguided one, but there, he chose it, he can say that at least. As for myself, I cannot even claim that. You see, I trusted. I trusted in his lorship's wisdom. All those years I served him, I trusted I was doing something worthwhile. I can't even say I made my own mistakes. Really - one has to ask oneself - what dignity is there in that?
At Brondby, we had Daniel Agger, who came up from the youth. He had two years in the team, and then we sold him to Liverpool for nearly £7 million, which is a lot of money in Denmark. As a manager, that gives you even greater satisfaction that winning something as a player.
When I auditioned to be part of the "This Is It" Tour, I didn't think I was going to get in. I didn't think it was for real at first, when I got the message on MySpace from the musical director to come in and audition for him. I came in and I played for the musical director, and that night Michael Jackson came in and sat down on the couch and I played "Beat It" for him. I just practiced as much as I could to make sure it was perfect.
It suits him because way back many years ago when Nikita Mikhalkov, the great Russian director, came, I said, "I want you to meet somebody." So I get Billy Bob from Malvern, Arkansas and Nikita Mikhalkov from Moscow. It's just two big talents meet. We sat for two or three hours and talked. It was great. He's the real deal, this guy.
My father knew my husband long before I ever did. He actually always says that he loved him first... there really was this wonderful respect and admiration between the two of them before I even came into the picture.
Sometimes it takes me six months before I find out what a line means, even if the writing is superficial... To do a play right, really, I'd like to take two years of rehearsal. You study the character by living with him.
As a younger person, I was obsessed with Ray Bradbury, and I think his stories did more to shape me as a storyteller than anybody else - even though, when I read them now, a lot of them seem overly sentimental. But that's probably the writer that I've thought about the most, even though I don't necessarily like a lot of his work.
The third season of the Leftovers came along and Damon Lindelof sent me the script to Episode 3, and I called him up and thanked him for one of the greatest gifts I've been given. I had that script for almost two months, in the mountains in Idaho, before I even got on a plane and flew to Australia and went to the outback. He also told me to learn about the indigenous people in Australia and learn how to play a didgeridoo. It was just great. It was probably, in many ways, the best acting experience I've ever had.
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