A Quote by Matt Bomer
It's so rare, especially as a younger actor, to find a role where it's not just one-dimensional and it's not just a stock leading man.
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Just as the good actor perform well whatever role the poet assigns, so too must the good man perform whatever Fortune assigns. For she, says Bion, just like a poet, sometimes assigns the leading role, sometimes that of the supporting role; sometimes that of a king, sometimes that of a beggar. Do not, therefore, being a supporting actor, desire the role of the lead.
For an actor to be working at all is a kind of miracle, because most actors aren't. So it's just silly for a working actor to say, 'Oh, I don't care if anybody knows I'm gay' especially if you're a leading man. Personally, I wouldn't advise a gay leading man-type actor to come out.
I'm an actor. I'll take a lead if it's offered. The really good actors can fill a character, no matter what the role is. A good leading man is a character actor; a good character actor can be a leading man.
[The Man] was a case where it was a funny role teamed up with another actor. It's a great teaming. And the role was a bigger role. It wasn't so much that it was a co-starring role. This is not a new direction. I'm not saying, 'No. I'm only now co-starring.' It just happens it's a co-starring role.
I'm still in the middle of the transition. I'm still in man-boy mode. And that won't go away for a while. But it's a fun time to be in, because it's very rare that people get to work through this time. It's rare to see a John Cusack in Say Anything. It's rare that you'd find an actor right in the cusp of the child-to adult transition, just got through puberty, just getting into a different way of life. There's few movies like that, and few roles like that, so it's going to be tough to pick and choose. I guess the goal is good people, work with good people.
In Alien, Sigourney Weaver's role was written for a man. In Salt, Angelina Jolie's role was written for Tom Cruise. These things, when reversed, do prove to be just as exciting and entertaining with women in leading roles.
I have a problem with the term 'leading man.' It's so limiting; it involves not upsetting anyone. Obviously, we have anti-heroes now, but if we're talking about the two tropes - character actor and leading man - I would so rather be a character actor. That's why I have a career.
A leading role as a POC young man in a series on Netflix - to me personally it's more important than just getting a job.
I am capable of holding the quote-unquote 'title' of leading man. Leading man just means people want to see you and assume that you can hold a film, carry a movie.
Thinking I'd be in politics just wasn't something I'd thought of as a younger woman. There just weren't a lot of role models there.
But obviously you don't want to just be the guy who comes in and sort of spices up every movie. So yeah, definitely moving into more of a leading man role would be great, but on my own terms.
When you're younger, the mental strain of being a successful actor, jumping from role to role, and trying to have some kind of personal life, can really be terrible.
I remember when I was younger, I read that Jay-Z was 33 and I was just like, 'Damn! This dudes really still goin for it?' It's just so rare that you see any rapper over 30 doing anything interesting.
This is a corny actor thing to say, but the first step is that you can't judge the character that you're playing. If it's built in three-dimensional fashion, you'll just play a character who's going out and seeking the best version of their life that they can find. That gives the character an accessibility that everyone can identify with.
So this ["Grant MacLaren"] was a chance to sort of go back and do a more leading man. But instead of just solving crimes like a CSI show, this leading man is, like the other travelers, not who he appears.
When an actor gets a role, especially in series television where he really is the part, the audience never thinks of another actor playing that role. If they accept you in the role, then they can't separate the actor from the character.
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