A Quote by Matt Bomer
To me, when you're at a hotel and your home environment is ultimately dictated by somebody else, I always find that a little bit oppressive and scary in a way.
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To me, when you're at a hotel, and your home environment is ultimately dictated by somebody else, I always find that a little bit oppressive and scary in a way. Especially if it's not done well or not run well.
What is scary to me is silly to somebody else. CG isn't scary to me. It's like comedy - comedy and horror are quite similar, in that there'll always be somebody who'll say, 'I don't think that was funny.' And it's the same with things that are meant to be scary.
I'm able to lead my life as well as make a film. My wife and my friends and people around me know that I do tend to distance myself a little bit during the making of a film, but I have to, it's a natural part of the process for me because you are indulging in the headspace of somebody else, you are investing in the psychology of somebody else and you are becoming somebody else, and so there isn't enough room for you and that somebody else.
So remember, my meaning of discipline is not that of any Ten Commandments...Your discipline has to come from your very heart, it has to be your own-and there is a great difference. When somebody else gives you the discipline, it can never fit you; it will be like wearing somebody else's clothes. Either they will be too loose or too tight, and you will always feel a little bit silly in them.
The worst thing you can do is say to yourself, "I want to be just like somebody else." You have to absorb knowledge from someone else, but ultimately you have to find your own voice.
Australia's not so bad with me, really, people are pretty cool with me at home, but in England it feels a little bit scary.
[Attorney General] would have to be something where I felt he really needed me and not that I'd be the only one that could do it, but maybe that I could do it a little bit different or a little bit better than somebody else.
Being producer you're still going to have to sell somebody who's going to give you the money on the idea and everything like that. But it does give you a little bit more control if you're thinking in that creative process; it gives you more control to tell the story you want to tell rather than sort of just reading a script that somebody else wrote and says, "Yes, please, you can hire me for this job." So it's a little bit more hands-on, a little bit more closer to the heart.
I enjoy telling these stories that I ultimately think get a disservice on a lot of network television. I enjoy getting people to change their perspective. I enjoy pushing myself into learning and understanding things from a very different point of view. It's scary to do that. It's scary to kind of put yourself in somebody else's position.
There are negatives in fighting away from home: you're not in front of your home fans, you don't have your home comforts, but I have travelled the world as an amateur and I have always managed to bring back medals. I enjoy it a little bit more when you're the underdog.
Maybe you are homophobic a little bit, but then you see me, and you've always loved me, and you love the way I play, and your kids love me. And then you're like, 'Oh, that's OK. It's fine.' Once it gets a little bit more personal, it helps break down those barriers.
I personally always took the view that, if you look at the case of should a Christian hotel owner have the right to exclude a gay couple from a hotel, I took the view that if it's a question of somebody who's doing a B&B in their own home, that individual should have the right to decide who does and who doesn't come into their own home.
What annoys me about it is that your fate is always in somebody else's hands. It's always up to somebody else to decide whether or not they want you in their show and so the majority of actors have to play out a waiting game. The constant fear is that it could all end tomorrow.
My mother is home. Your mother is your home. Everybody is a momma's boy or a momma's girl. That's where we came from, from a woman's womb. She always gave me good advice because mothers know best at times. She gives me advice and I take it, run with it and share that with somebody else.
My anxiety about disasters is lower. The more you know, the less scary any of this stuff is. And that's my hope for the book. I want to get people's attention and tell them very valuable and ultimately hopeful information, and you find out nothing is as scary as your imagination.
In a way, art has always been my way of problem-solving, of getting through situations, of finding my response to things, so to imagine doing something else makes me panic a little bit.
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