A Quote by Matt Bomer

Well, when you're playing a role, you have to think, 'What is ultimately motivating the character?' — © Matt Bomer
Well, when you're playing a role, you have to think, 'What is ultimately motivating the character?'
What is ultimately motivating the character?
The really great players, I think embrace playing unselfishly and embrace playing in a system that ultimately kind of lifts up their teammates or their role players and guys who are around them.
I stay in character at all times regardless of whoever's playing well, the team isn't playing well. if we're up or down, I'm going to stay in character.
I wasn't a huge fan of the comic book, but I definitely was of the cartoon series. I wasn't much for sitting around and reading as a kid, I preferred to be outside running around and playing sports, but I was absolutely thrilled to get the role of Colossus. I don't think I realised how popular the character was until I got the role and started doing some research; it was then that I really fell in love with the character of Colossus myself.
No person and no character is beyond redemption, ultimately. That's the great thing about playing a character that has kind of a dark side; there's room to explore the opposite.
When an actor gets a role, especially in series television where he really is the part, the audience never thinks of another actor playing that role. If they accept you in the role, then they can't separate the actor from the character.
Whenever I play a role, whether it's good or bad, an evil person or nice person, I believe in being a purist and going all the way with the role. If I'm going to be a villainous wrestler, I believe in going all the way with it and not breaking character and not giving away to the audience that I'm playing a role. I believe in playing it straight to the hilt.
My job as the actress playing Hanna Schmitz, as the actress playing any part, is to understand the character, and to ultimately love the character. And I did love Hanna, absolutely, because I understood her as profoundly as I did at the end of the day.
When I say 'yes' to a movie it's usually because, to a greater or lesser extent, it's because I'm enthusiastic about the character. How well that character ultimately comes off depends on a lot of things: your relationship with the director and so on. But at first, you're on board because you think you can do something with it.
Sometimes an actor performs a character, but sometimes an actor just performs. With writing, I don't think it's performing a character, really, if the character you're performing is yourself. I don't see that as playing a role. It's just appearing in public.
Ultimately, I don't think you can be a character who's completely alien or divorced from your own personality. It's probably true of every writer - it's probably true of every filmmaker, every songwriter - that, ultimately, every character you create is a facet of yourself.
I think every actor can agree that when you've been playing a certain character for awhile - no matter what that role is - it's always attractive to try something that's different.
Some of the roots of role-playing games (RPGs) are grounded in clinical and academic role assumption and role-playing exercises.
We're all playing a role. You're playing a role at home, you're playing a role at work, you're playing a role to survive.
I think there's always a way to bring something, even if it is just the girlfriend role, as long as you're playing it with an idea of who that person is on their own, away from the male character.
My approach to the work is the same, whether I had the lead or a supporting role. I consider myself a character actor in the true sense of the word. Unless I'm doing my autobiography, I'm playing a character.
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