A Quote by Matt Bomer
I consider 'White Collar' my home base. I'm so lucky to get to play a character that's very multifaceted and the writers take risks on and never get into a staid process with.
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Bunting is usually a waste of time. The - generally, yeah, I mean, if you think about it, bunt is the only play in baseball that both sides applaud. The - if the home team bunts, you get a base. The home team applauds because they get an out, and the other team applauds because they get a base. So what does that tell you?
Out of ten swings at the bat, you get maybe seven strikeouts, two base hits, and if you are lucky, one home run. The base hits and the home runs pay for all the strikeouts
Part of the reason that women go to college is to get out of the food service, clerical, pink-collar ghetto and into a more white-collar job. That does not necessarily mean they are being paid more than the blue-collar jobs men have.
The thing I preach constantly is do your research; build your knowledge base. Don't just go into business on a whim or a prayer - and don't think 'I'm an entrepreneur so I have to take risks'. Entrepreneurs don't take risks. They take calculated risks; only the good ones.
Doing 'White Collar,' quite often my character goes undercover, so therein lies the compounding of the imagination. I get to play Peter Burke and then someone else when Peter Burke goes undercover.
I never felt in competition with anybody in war photography. You're lucky to get your ass in and out again. It's as simple as that. It's the easiest photography in the world to shoot somebody who's been shot up. It doesn't take a genius. That's easy. The only thing you need to know is your photography. Get in and if you're lucky get out. And get as close as you can get.
I just want to play strong characters, whatever that is in. For me, television is where it's at. You get to play a character for a long period of time, and you get to dig deep. It's a home to go to.
The irony is that, coming from a white-collar British background, I tend to play blue-collar Americans!
This idea of 'New Collar' says for the jobs of the future here, there are many in technology that can be done without a four-year college degree and, therefore, 'New Collar' not 'Blue Collar,' 'White Collar.' It's 'New Collar.'
I never hear white writers get asked, 'Do you worry about how you represent white people?'
I have never gone for a diagnosis and I don't consider myself to be bipolar, but I have extreme moods. I get heightened. I get very overexcited. But I do get very low, too... I don't know whether it's inherited or learned.
I never base a character on someone I know. You can get ideas from real life, but every character you write is some aspect of yourself.
Sometimes a child will get lucky and be placed with foster parents who are loving and supportive and who consider that child their own. But for many, that doesn't happen. Kids are moved around from home to home, to group home and institutions, until they are 18, when they are considered adults and the system is finished with them.
It's not very often that you get to come up with ideas and bring your take on the character and then actually have writers, producers, and directors pay attention to it.
Roles came to me. I was very, very lucky in that respect. Great directors, great writers, great producers - they saw something in me that they wanted for their picture or their play or whatever it was, whether it was Edward Albee or whether it was - or Peter Hall, directors. They would come to me, thank God. I was lucky. Lucky, lucky, lucky.
...the more risks you allow children to take, the better they learn to take care of themselves. If you never let them take any risks, then I believe they become very prone to injury. Boys should be allowed to climb tall trees and walk along the tops of high walls and dive into the sea from high rocks... The same with girls. I like the type of child who takes risks. Better by far than the one who never does so.
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