A Quote by Matt Bomer

Look, none of the artists who I admire or respect have ever shied away from a role because it might make them unpopular with somebody. — © Matt Bomer
Look, none of the artists who I admire or respect have ever shied away from a role because it might make them unpopular with somebody.
I like to take chances. The actors I admire are the ones who aren't afraid to make themselves nasty, bad or even goofy. I've never shied away from controversial characters.
The most effective tool I have to work with artists I admire is to point to other artists that I admire and show that I've worked with them many, many times. It's not because I have option deals; it's because they want to keep working with us.
Four Tet is somebody I respect a lot. There are other artists I admire like jazz pianist and composer Marc Moulin.
Ever since I was little, I've shied away from romance. It's not that I dislike women, but I'm not good with them.
I got taught respect because if not, somebody's gonna make you respect them.
Nah, I don't feel overlooked, underappreciated, or none of that because it's a short list of artists, past and present, that I kind of have respect for. And in all of those situations, the admiration and respect is mutual.
I don't think I've shied away from anybody. I'm not scared. I respect hitters, but I'm not afraid.
It's easy to be popular when you don't make the decisions a president makes. And it's easy to be unpopular when you're the president because you're making decisions that at the time might seem unpopular; but when historians sort it out, it changes.
Great artists are the ones who have put their entire selves out there to be adored, humiliated, to be picked at, cherished, all of those things, and haven't shied away from that.
I will see 100 or 200 and I will take my time with them and I audition them for the two main roles. If I like what I see, but they're not exactly right for the role, I'll think well I have this other role that might work for them. Sometimes I will write a role for them because I want to work with them because they're so good.
I respect artists that know how to be artists, that know how to create their own lane and make people respect them for who they are and what they represent.
It's critical that the manager has the respect of players so he can make the moves that he feels is appropriate without having somebody go to the papers. They respect you. So you respect them back.
Trump might become deeply unpopular in the way that I, with some people, am deeply unpopular, but that doesn't mean that we don't get things done. You can be unpopular and successful.
Whatever role I have had on the management side I pride myself on having done my best in the job. I have never shied away from that responsibility.
I want men to admire me, but that's a trick you learn at school--a movement of the eyes, a tone of voice, a touch of the hand on the shoulder or the head. If they think you admire them, they will admire you because of your good taste, and when they admire you, you have an illusion for a moment that there's something to admire.
There are lots of artists I respect and admire.
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