A Quote by Matt Bomer
Certainly, when you're dealing with more deep, emotional work and sensory work, for me, it helps me to just stay in it.
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Certainly when you're dealing with more deep emotional work and sensory work, for me it helps me to just stay in it.
Being a photographer helps me see the work differently. I always walk away seeing things differently than when I stare at them myself. It gives me a little distance. So I love photography, but it also helps me tell the story. When I shoot the ad campaign for my work, it allows me to be much more direct.
I feel more at home in London than in Los Angeles, definitely. If I could have my choice, I certainly would live in London as opposed to LA. I just prefer it here. But I love the work and in LA there's just so much more of it, and as an actor you kind of have to go where the work is. Luckily, I've been able to get the work out there. If work brings me back here, and a project is here and I can do it, I'll jump at the chance.
Etsy helps work be more human - you can stay at home and work alongside your kids - and it makes commerce more personal.
Merit is a work for the sake of which Christ gives rewards. But no such work is to be found, for Christ gives by promise. Just as if a prince should say to me, "Come to me in my castle, and I will give you a hundred florins." I do a work, certainly, in going to the castle, but the gift is not given me as the reward of my work in going, but because the prince promised it to me.
As long as I stay engaged with everybody else, then I'll create more comedy. It's just when I shut off and stay at home... What helps me is just to keep moving.
I have a skill set that often helps me get through hurtful moments or experiences. However, sometimes when the pain cuts really deep, my normal go-to exercises just won't work.
Always, for me, when I am dealing with subjects related to my country that are very emotional, I have to find the right tone and distance because, obviously, I start with anger, asking 'why that happened' and 'why it is still happening.' I work to rise above my personal anger but still stay connected to my emotions. That's a big challenge.
I work out every body part twice a week, and that is what helps me stay in shape.
I find that a small sacrifice such as switching off my phone and blocking out work helps me stay balanced.
At least 90 percent of my work is in situ. For me, it's not only to work with the architecture and space, it's also to work with the time, to work with the people who are involved with the place. It's also dealing with history. It takes all this into account. Other works can be placed in different environments, but they always follow a rule. This is usually not the case for work in situ, because even if they are transported, they remain there forever or they are destroyed.
I just feel that I enjoy the work more than I ever have... or just as much certainly... I enjoy making films behind the camera equally to making them in front of the camera on all those years. I just enjoy it, that's all. I've been lucky enough to work in a profession that I have really liked and so I figured I'd just continue until someone hits me over the head and says "get out".
There was always a feeling for me that it would work. That's what keeps me going. You go in with a positive attitude and stay there, and that's a big part of what does make it work.
Well, 'Grimm' is important to me for obvious reasons. I'm lucky to be able to do what I love to do for a living. I never, ever forget that. And charity work just helps me feel like I'm doing something to support my belief that we are all one. I'd like to actually do more in the future.
People may laugh or whatever, but my strength is something that I have to work on. It's not something that just happens overnight, it takes dedication and hard work and it has a purpose as it helps me every week on the pitch.
To me it is no mystery that we can only photograph effectively what we are truly interested in or-maybe more importantly-are grappling with. Often unconsciously. Otherwise the photographs are merely about an idea or a concept-that stuff eventually falls flat for me-there must be something more, some emotional hook for it to really work for me.
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