A Quote by Matt Bomer

You have to remember you're an artist and get hungry. — © Matt Bomer
You have to remember you're an artist and get hungry.
Remember: It costs nothing to encourage an artist, and the potential benefits are staggering. A pat on the back to an artist now could one day result in your favorite film, or the cartoon you love to get stoned watching, or the song that saves your life. Discourage an artist, you get absolutely nothing in return, ever.
As refined fare serves a hungry man as well as and no better than coarser food, the more pretentious artist will not dream of inviting the hungry man to his meal.
Judging your early artistic efforts is artist abuse. . . Remember that in order to recover as an artist, you must be willing to be a bad artist. Give yourself permission to be a beginner. By being willing to be a bad artist, you have a chance to be an artist, and perhaps, over time, a very good one
I remember as a kid being cold a lot, and hungry sometimes. Wed go to bed with just cornbread and milk, and I remember wearing shoes with holes in the bottom. I remember having twine for shoestrings.
The world today is hungry Not only for bread But hungry for love; Hungry to be wanted, Hungry to be loved.
Be hungry for success, hungry to make your mark, hungry to be seen and to be heard and to have an effect. And as you move up and become successful, make sure also to be hungry for helping others.
If you fight a hungry fighter and you look into their eyes and you're not as hungry as they are, that's when you get eaten up.
Hungry people make the best revolutionaries. Because when you're hungry, it's easy to get angry about things that aren't right.
One of the key things I did to stay on my diet is I never allowed myself to get hungry. As soon as I got hungry, I'd eat healthy foods.
I remember washing Robbie Keane's boots and asking him a few questions. It's stuff you remember as a kid. You take that on and make sure you're a bit more hungry to go on and do what they've achieved.
I'm a recording artist, a performing artist and a producing artist. All those things have everything to do with the outcome of my shows. I get myself studying every part of the game and not everyone has the characteristic to do that. In my mind, you need all three to become an artist.
Why was the painting made? What ideas of the artist can we sense? Can the personality and sensitivity of the artist be felt when studying the work? What is the artist telling us about his or her feelings about the subject? What response do I get from the message of the artist? Do I know the artist better because of the painting?
When you are writing for an artist you are trying to get into that artist's point of view. What does that artist want to say? What do they care about? And musically, you want to show off that artist.
But most distinctly, I remember always saying to myself that when I get big, I'm not going to go to bed hungry, I'm not going to wear hand-me-down clothes.
O, heavenly Father: we thank thee for food and remember the hungry. We thank thee for health and remember the sick. We thank thee for friends and remember the friendless. We thank thee for freedom and remember the enslaved. May these remembrances stir us to service, That thy gifts to us may be used for others. Amen.
When I lose my column again, I'm sure I'll get hungry again. Maybe it's having a kid, but it's probably just getting to do what I always wanted to do - I'm really not that hungry.
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