A Quote by Matt Bomer
When I was 8 years old, I asked my parents to get me head shots, and they were like, 'What are you talking about? Go outside and play!' I'm so glad they did.
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Think about reading: Today, parents would love it if their kids read books more because the parents understand the books. Just over 100 years ago, parents were upset because their kids were reading dime-store novels. Parents would say, "I don't want you inside reading anymore. Get outside and play." I guarantee you, in 50 years or so, parents are going to say, "You're not going outside to play until you finish that video game."
Hi, Tad!' she said. 'Hi, Jeff! Hey, I'm not interrupting anything, am I?' 'Uh, no,' I said. 'We were just...I mean, Tad was...uh, nope.' 'So what were you guys talking about?' 'Well,' I said, 'it's very complicated. We were discussing...umm...hats. You know, hats. Like, the head kind.' 'There's another kind?' Lindsey asked. 'Hey, Jeff?' Tad said. 'If your mom needs any evidence to prove that you're retarded, let me know. I'd be glad to record you talking to Lindsey. I'm pretty sure that would do the trick.
My parents were severe alcoholics. When I was about 17 years old, I finally left home. It wasn't a choice that I made; it was basically like my parents were gone.
When I was 14, I decided that I really wanted to pursue polo more, so I asked my parents if it would be okay for me to go live on a farm outside the city so I could play.
When I got the 'Blue Album,' I was 11 years old, 10 years old, and then I convinced my parents to go and get my first drum kit, which was, like, 600 bucks.
I did a Coca-Cola commercial when I was about two and a half years old, and then me and my family were extras in a bunch of Westerns. I loved dressing up and stepping into this imaginary world, and it was fun to get outside of my tiny little town with a bunch of movie weirdos.
I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.
When you go to a college for acting, at least the college I went to, it's like everybody just singing and dancing and acting, and they all come together, and everyone's talking about head shots... It just turned me off. I was like, 'What is this? I don't understand this. People are singing in the hallways.'
I'm the youngest of four boys, and my oldest brother, Todd, was like a father figure to me. We were very close even though we were 23 years apart. When my parents were working, he was the one there for me. He was diagnosed with lung cancer when he was 15 years old.
I'm an only child and grew up in a bad neighborhood. My parents weren't well-off, but they would save up to get me video games. Games were something I did because I couldn't really go outside where bad things were going on.
I suppose you think that persons who are as old as your father and myself are always thinking about very grave things, but I know that we are meditating the same old themes that we did when we were ten years old, only we go more gravely about it.
I was an old tackle riding around talking to people about sports. Like I've said to a lot of people over the years, 'I only go where old tackles go, and if an old tackle does not belong there, I'm not going.'
Even at 10 years old, Jonathan and I started saying things like, 'Hey, what about this for the property?' And I remember my parents saying, 'You're 10. What do you know about real estate? Go play with toys.'
I'm very glad my mother didn't let me quit piano lessons at age 10. She said I wasn't old enough or good enough to make that decision, and she was right. I remember at the time I was shocked. I did not like that my mother said those things to me. But when I got a chance to play with Yo-Yo Ma or more recently with Aretha Franklin, I thought, I'm really glad she said what she did.
The best thing I ever did was when I was offered a million dollars to go play in South Africa and didn't take it. I was 21 years old, and part of it was like, 'Well, if they're offering me this obscene amount of money just to play one match, there must be something really wrong.'
Now I tell my mom, I go, 'Mom, you know when I was a kid and you told me to turn off the television and go outside and play?' I'd be like, 'You literally were hurting my career when you did that. You literally stopped me from doing now, what I do for a living.'
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