A Quote by Matt Cameron
Whenever Elvin Jones comes to Seattle I try to go catch him.
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When I listened to Elvin Jones, man, for the first time I heard a drummer that had all the technique plus emotion, passion, feel, and just - good God!
I think the best thing with any superstar is to try to limit his touches. Try not to let him catch the ball where he wants it, try to deny him some, double team him some, throw different looks at him.
You hear a great Art Blakey drum solo or Elvin Jones, and you can tell when they're taking a breath. You can tell when they're loading up for something big. There's just this humanity in it, and I think that's important as well.
To be honest, I didn't want to get inside Jones's head. Every time I wrote about Jim Jones I practically had to tie myself to my chair to force myself to do it; I hated him so much. He wanted to go down in history and he did. He's had hundreds of books and articles written about him. I was much more interested in the stories of the rank-and-file members of Peoples Temple, what drew them to Jones, and what they did once they were trapped in Jonestown and realized Jones was intent on killing them.
When I'm fighting, I'm trying to find a reaction. I try to make the guy move; I try to make him do things that I want him to do. If he likes moving a certain way, I try to set something up so I catch him if he moves that way.
One of my favorite places is Seattle. Growing up, I never thought I'd be able to go to Seattle. I grew up in eastern South Carolina, so that's as far as you can get from Seattle, unless I lived in Miami.
I had no clue of Hollywood until I became a teenager. Then I got a fake ID in Tijuana and discovered Shelly's Manne-Hole, on Cahuenga and Selma, where I saw John Coltrane and his piano player, McCoy Tyner, and Elvin Jones, the drummer - my idol.
I think what's beautiful when you're looking at artists like Macklemore and you're looking at artists like Ayron Jones, they're proud of Seattle and they're bringing it back. Seattle's a real music town. When you act ashamed of that, you should be pushed outta the game as far as I'm concerned.
I try to schedule at least one day a week to catch up, to feel like I'm breathing again. I take vitamins. I have a treadmill and weights at home, but I prefer walking outside, just kind of breathing and letting it all go. I try to read for pleasure whenever I can - it's a great way just to shut it off for a while so your brain doesn't get fried.
I met Quincy Jones in Seattle. We were kids together... liked each other when we met and have been close ever since. He wasn't writing when we met - in fact, I more or less started him off to write; voicing, harmony, and stuff like that.
I'm not super-polite or civil - I try to be civil, but I'm not into Seattle's niceties, and I'm not hugely wired into Seattle's natural beauty.
I go up to San Francisco on holidays and spend time with my family there, but whenever I go to Japan, I enjoy every moment. I try to go back there every year or so. It's a phenomenal place, and I absolutely love it. It's not my second home; it is my home. Whenever I go back, I feel very connected with Japan.
If you're trying to get somebody and this might be the only time you're going to catch him, but he is holding his baby and with his mama, you ain't gonna let that chance go by. That's the mentality of the streets. If you let that chance go by, he might catch your ass.
Whenever I have an opportunity, I catch a train and go to Wales and hire a car and drive around.
By the end of the 1980s, Seattle had taken on the dangerous lustre of a promised city. The rumour had gone out that if you had failed in Detroit you might yet succeed in Seattle - and that if you'd succeeded in Seoul, you could succeed even better in Seattle... Seattle was the coming place. So I joined the line of hopefuls.
Someone stole my bicycle and I said I was going to learn to fight so that I could catch him and beat him up. But I never did catch him. But I ended up the champ of the whole world.
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