A Quote by Matt Cameron

The fact that Eddie Vedder likes to play 3 hour plus shows a night, I have to be ready for that. — © Matt Cameron
The fact that Eddie Vedder likes to play 3 hour plus shows a night, I have to be ready for that.
Most of my ukulele heroes were traditional players from Hawaii, like Eddie Kamae and Ohta-san. There may not be uke stars in popular culture, but there are certainly pop stars that play uke - George Harrison, Eddie Vedder, Taylor Swift, Train, and Paul McCartney.
I'm Eddie Vedder and I sing. I do.
Eddie Vedder? My God, there's a singer.
The only person that I have met, that I have ever been in awe of, is Eddie Vedder.
Half-hour comedy shows are like a play, one night a week.
People wonder if the Pearl Jam audience will get into The Buzzcocks. Eddie Vedder is a big Buzzcocks fan. He used to come to see Buzzcocks before he was in Pearl Jam. If his fans like what he likes, I guess that they might like The Buzzcocks.
Best two rock voices I've heard in a last few years both have been from grunge bands: it's Eddie Vedder and the other one is Chris Cornell from Soundgarden.
When I was 13, Eddie Murphy was to me what Chris Tucker was to 13-year-olds when I made 'Rush Hour.' And 'Rush Hour' really came out of the fact that I grew up watching 'Beverly Hills Cop' and '48 Hrs.'
I think Elvis Presley is a crooner. Even people like Eddie Vedder, I hear him sing some things and I go "wow". Seal, that kind of nice voice, too.
Within a few hours I had them off, was about ready to play the shows. That night I opened, and during the week Harris was over to the house to talk my mother into letting me leave home.
When I was doing half-hour shows, I loved it and was preparing myself for the hour shows. Then when I did the hour shows, I was preparing myself for the specials and features.
The first time I saw Pearl Jam, I thought Eddie Vedder had seen too many Jim Morrison videos, and I didn't like the music very much. But by the third album, I really liked them after all.
When people come to my shows they know there is a distinct beginning and end. It's difficult for me to play for much more than an hour, so people kind of come out and treat it like a rock show. They're fiending and ready to dance.
A good play is a good play. If you want to chalk up your rejection letters to the fact that you're a woman, that's your choice. But often you get a rejection letter because your play isn't ready. Or the time isn't ready for your play. And that has nothing to do with gender.
The process is to me is going onstage night after night after night after night until I get a new hour. And then once that hour is solidified and recorded, I move on.
They got all the size over there, and the teams are really good, so, I think night after night you're just going to have to be ready to lace them up and be ready to play. The teams out there are really good.
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