A Quote by Matt Cameron

My recording career has luckily run the gamut of recording environments. — © Matt Cameron
My recording career has luckily run the gamut of recording environments.
I keep recording and recording, but they always stay on the rack and never get out there.
People are so into digital recording now they forgot how easy analog recording can be.
When I first started recording music, I was actually singing about microphones, equipment, recording.
Recording interviews is like magic. a) It stops you from taking notes in the middle and b) you can play that recording for people.
I don't really have any interest in recording at places that are institutionalized for recording.
I never really work on just one CD - I'm recording, recording.
If you are recording, you are recording. I don't believe there is such a thing as a demo or a temporary vocal.
I had a recording contract with Capitol Records. I loved recording and being in that studio. I made four albums.
If you're recording the song on your four-track in your kitchen, when you finished writing the song, you're recording, and it's cool, and honor that. And maybe that's the version that should be released. And if you're recording the song again, it shouldn't be because there's a version you love that you're chasing. It should be because "You know what? I made a recording, but I don't love it emotionally." So, okay, then record again. And be in it and take advantage of the buzz and energy of "I'm getting to record right now!" It's such a beautiful and cool privilege.
The idea of letting a recording be a moment in time appealed to me. With digital recording, it's easy to create a perfect text of whatever song you have.
I don't have any particular goals in making a recording. In a way the recording is itself the goal. The music comes into my mind, and from there the main job is to give form to it.
I got a studio built in my house, so I was recording there in Memphis and Atlanta. Those two environments give me that street feel.
Nowadays, it's like two different arenas, recording and touring. When I started way back in the day, doing both was nothing, you didn't have to think about it, the road and recording.
I think it's great that people now have access to Pro Tools and other recording software at home. I've never understood how anyone could be comfortable in a recording studio
If you are recording, you are recording. I don't believe there is such a thing as a demo or a temporary vocal. The drama around even sitting in the car and singing into a tape recorder that's as big as your hand - waiting until it's very quiet, doing your thing, and then playing it back and hoping you like it - is the same basic anatomy as when you're in the recording studio, really. Sometimes it's better that way because some of the pressure is off and you can pretend it's throwaway.
Before that, an 8-bit recording was pixelated; it was really bad. It didn't serve what I was doing, which was recording live sound and delaying it and feeding it back. This is essentially what the EIS system is: a bunch of delays.
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