A Quote by Matt Cameron
In my last band, Soundgarden, I had a couple of different drummers sit in on some stuff and it was fun for me to kind of take a break and watch the band.
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It's a farmers market. You can get whatever - peaches, a sandwich. There might be a little band there. I'd sit in with the band. Yeah, that's what I would do. Sit in with the band at the farmers market. Sing a couple of songs, eat a peach, and hug people.
I mean, I think I liked every band I ever played in because each band was different, each band had a different concept, and each band leader was different... different personalities and musical tastes.
I was raised in bars. My grandmother had one, and when I was 12 years old I'd go stay with her and that's where I got to watch her band play -- she had a seven or eight-piece band, and I would sit in the kitchen and peek through the door. I was kind of a 12-year-old bottle washer.
We became a band that was kind of a big band, kind of a band that quite uncool people listen to, people a lot like me. I've realized that's a much more beautiful fate than the plan I had.
I was in bands as a singer-guitarist-songwriter until 1980-81. So, there's a bunch of stuff. A lot of the stuff is hard to come by-stuff by the Special Interest Group and the Zobo Funn Band. The Zobo Funn Band was a big Northeast cult band. We had about a billion skirmishes with the big rock industry.
My dad would take me downtown, and I'd stand backstage and watch him in the vaudeville pit band. I was 6 or 7. He was a musician, a band leader, a wonderful clarinetist and saxophone player.
I really enjoy touring period! I had another band called Killing Machine, we went out on tour which was only fifteen shows & we went out in a really old motor home. That had to be the most fun. I didn't have to do radio at nine in the morning everyday. It was me & a bunch of friends. The singer was my tattoo artist. My girlfriend would fly in & we would sleep in a hammock above the bed the band were sleeping in [laughs]. I like that stuff that's really fun, I like the camping experience.
What does surprise me, though, is the amount of attention this band [Guns'n'Roses] has garnered 11 years after the original lineup broke up. That's an interesting phenomenon. It was even interesting back in the day. I mean, [we were] this glorified garage band. It was a great band, but it was not the kind of band you expected to become what it has.
My parents were into 40s big band stuff, and my father was a great dancer to that kind of thing. But rock 'n' roll? No. I wanted a guitar, but my mother didn't really want me to have one. At some point I played a violin, but I didn't last long at that.
I was in a rock band; I was my own folk singer; I was in a death metal band for a very short time; I was in a cover band, a jazz band, a blues band. I was in a gospel choir.
When the band first formed, everybody had been sidemen. So they said, 'In this band there are no sidemen,' and when I joined the band, it was still the same. There were some power struggles emerging, because Henley and Frey had sung all the hits at that point.
I never thought of us as a punk band, a metal band, or a new wave band. Just as a band band.
A lot of the music is the kind of thing I grew up with, listening to it with my parents. So there was a band in London called the BBC Big Band, and I sang with them. And I had never done a big band before, and it was just so fantastic and I had such a good time...so that's how it all came about
I do take a computer to do some processing live and I might use a couple of plug-in synthesisers, 'cause obviously you can take quite a lot of power in terms of sound generation on a computer that I can trigger from a couple of keyboards. And it means I don't have to take some of my vintage stuff and have it trashed by various airlines which has happened in the past. But I still take some vintage stuff with me, I'll take that risk because I like using all that stuff.
People who come up to me are drummers or fans of the band. I don't get it too much, but I'll be somewhere and someone will have me take a picture or something.
I do not want and will not take a royalty on any record I record. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It's the band's fans who buy the records. The band is responsible for whether it's a great record or a horrible record. Royalties belong to the band. I would like to be paid like a plumber. I do the job and you pay me what it's worth.
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