A Quote by Matt Charman
It takes work to plot a course that is both thrilling and truthful, but it's worth it.
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You can't be different for different's sake, and this doesn't always work, but you have to separate yourself from the normal read. Of course, it has to be truthful. If it's not truthful, don't waste your time.
'Rozabal' was theological while 'Chanakya' is political. Unlike 'Rozabal,' which was about research, the aim of 'Chanakya' is plot, plot, plot, which carries the character. The common DNA, of course, is history.
It takes long practice, yes. You have to work. Did you think you could snap your fingers, and have it as a gift? What is worth having is worth working for.
Recovery isn’t easy, at first. It takes time. It takes more work, sometimes, than you think you’re willing to do. But it is worth every hard day, every tear, every terrified moment. It’s worth it, because the trade-off is this: you let go of your eating disorder, and you get back your life.
My fiction is based on both my own experience transformed, altered, juggled and changed to suit the demands of composition, character, and plot. If I see a theme emerging in a story I will likely take it up and develop it. I hardly ever set out with a conscious plan and if I do the story usually takes over and takes me where it wants to go.
The core plot of 'Mercury' is so gripping that when I thought of making it as a silent film, it only made it more interesting. Once I finished writing the first draft, making a silent film that's both thrilling and engaging seemed possible. When the film team read the final script, they felt the same.
Being truthful is a necessity because when I'm not being truthful it takes a toll on me. I don't have any room for it in my life. I don't have an across-the-board opinion on honesty in relationships. But for me, personally, it's paramount.
If often happens too, both in courts and in cabinets, that there are two things going on together,--a main plot and an under-plot; and he that understands only one of them will, in all probability, be the dupe of both. A mistress may rule a monarch, but some obscure favorite may rule the mistress.
One must be truthful with oneself about one's own motives, especially if one is to survive in the world. It takes rigor, and it takes courage.
Of cases where a man is truthful both in speech and conduct when no considerations of honesty come in, from an habitual sincerity of disposition. Such sincerity may be esteemed a moral excellence; for the lover of truth, who is truthful even when nothing depends on it, will a fortiori be truthful when some interest is at stake, since having all along avoided falsehood for its own sake, he will assuredly avoid it when it is morally base; and this is a disposition that we praise.
I think that (Alister) MacKenzie and I managed to work as a completely sympathetic team. Of course there was never any question that he was the architect and I was the advisor and consultant. No man learns to design a golf course simply by playing golf, no matter how well. But it happened that both of us were extravagant admirers of the Old Course at St Andrews and we both desired as much as possible to simulate seaside conditions insofar as the differences in turf and terrain would allow.
[E]very plot, worth the name, must be elaborated to its dénouement before anything be attempted with the pen. It is only with the dénouement constantly in view that we can plot its indispensable air of consequence, or causation, by making the incidents, and especially the tone at all points tend to the development of the intention.
It is a high bar to say that it's more fun than working on software because the work at Microsoft that both Melinda [Gates] and I did was thrilling. We were making breakthroughs and empowering people.
The scientist does not study nature because it is useful to do so. He studies it because he takes pleasure in it, and he takes pleasure in it because it is beautiful. If nature were not beautiful it would not be worth knowing, and life would not be worth living. I am not speaking, of course, of the beauty which strikes the senses, of the beauty of qualities and appearances. I am far from despising this, but it has nothing to do with science. What I mean is that more intimate beauty which comes from the harmonious order of its parts, and which a pure intelligence can grasp.
Some artists, such as Jack Kirby, need no plot at all. I mean I'll just say to Jack, "Let's let the next villain be Dr. Doom" ... or I may not even say that. He may tell me. And then he goes home and does it. He's so good at plots, I'm sure he's a thousand times better than I. He just makes up the plots for these stories. All I do is a little editing ... I may tell him that he's gone too far in one direction or another. Of course, occasionally I'll give him a plot, but we're practically both the writers on the things.
I don't think plot as a plot means much today. I'd say that everybody has seen every plot twenty times. What they haven't seen is characters and their relation to one another. I don't worry much about plot anymore.
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