A Quote by Matt Damon
As somebody who makes his living in the movie business and wants to contribute to it, I think that the best chance I have of doing that is just consistently working with great directors.
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I love Leonardo DiCaprio. He just makes really great films with great directors. He has great relationships with directors but also has a great social awareness. I think he balances his work with his responsibilities to his world, the environment, things like that very well. I'm very impressed by him and I admire him a lot. And other actors like Joaquin Phoenix, I just look at him and marvel at his unexpectedness, just his work really.
I'd be lying if I said Hollywood wasn't still an ambition; it's everyone's, isn't it? You're getting paid very well, you're working with great actors and great directors - who wouldn't want to be a part of that? But it's not going to break my heart if it doesn't happen. This business is about doing good work rather than how famous it makes you.
When I was doing the first 'American Pie' movie, I was just happy to have a job. We had a good time, and it was a great group of people, but like any project that I've worked on in my career, you just put your best foot forward, and you're all working together to make the best movie possible.
If somebody wants to think of me as a movie star, that's fine, that's great. It sort of makes me giggle.
Id be lying if I said Hollywood wasnt still an ambition; its everyones, isnt it? Youre getting paid very well, youre working with great actors and great directors - who wouldnt want to be a part of that? But its not going to break my heart if it doesnt happen. This business is about doing good work rather than how famous it makes you.
You start out with big dreams and I mean, big dreams artistically. You want to work with the greatest living directors, make a great movie. I wanted to make a great love story, I wanted to make a great epic and then you realize that the truth of it is that it's so hard to make a great film. It's hard to get a great role. Those big expectations change to realism pretty quickly. But what's never changed is my desire to work with great directors and to find projects that push me out of my comfort zone and keep me alive. I still don't think I've done my best work
I will say from the outset, I think if you're great, you're great from the very beginning. And because I do think it is innate and I do think it is a gift you just have, and I don't think you can - you can hone the skills of a director, but sadly, I do think that you are born a great director. I think it's just in you and it's something that is deep in you. But, I find it can be difficult working with first-time directors, but it's also moving.
I'm all about working with directors that are doing different techniques and I think everyone has their way of getting it to the place that they think is best.
I thought that Hollywood was just for geniuses and that directors come from three generations of directors. I was worried that I was not up to the challenge of making a movie. Then realized that all a director has to do is know what he wants to do.
I think the best directors rarely loose their temper. I think the best directors provide you with a safe environment where they can instill you with confidence and allow you to try things out and not feel like your failing or that you're doing it wrong.
Tony Scott was one of the best directors I've ever worked with, and I was devastated when I heard about his death. He was a great guy with great energy. But this is a difficult business, and people's lives are sometimes difficult.
It's great working with directors and with somebody else's vision.
Rob [Reiner] is a teddy bear. He's hell delicious. He's a really good director. He's a great soul. In the movie business, I would call him a movie mom. The only person I hold in equal esteem is Clint Eastwood. Now I have worked with a lot of terrific directors, and I don't mean to be putting any of them below their own station, but these two, I relish working with them.
I like working consistently. I like working for four months at a time, which is why cable was so attractive. You work for four months, and then you get to do something else, whether it's doing a movie or just being at home with your husband and eventually having a family.
Tony Scott was one of the best directors Ive ever worked with, and I was devastated when I heard about his death. He was a great guy with great energy. But this is a difficult business, and peoples lives are sometimes difficult.
In terms of directors, great actors make directors - Gary Oldman was great to work with, for me; Tim Roth, too. You work with Scorsese and Spielberg and they were wonderful directors, but for me, working with actor/directors is special.
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