A Quote by Matt de la Pena

To me, if the writing doesn't have rhythm, it feels dead. I lose all confidence. The music has to emerge to feel confident enough to move on to the next major chapter. — © Matt de la Pena
To me, if the writing doesn't have rhythm, it feels dead. I lose all confidence. The music has to emerge to feel confident enough to move on to the next major chapter.
I certainly direct with confidence even if I'm not confident. I learned early on as an actor that confidence can be faked, and it's not always a terrible thing to do. A lot of times if people feel you're confident, then they're confident.
When you are reading a book and you finish a chapter, you don’t keep re-reading the chapter you just finished. You move on to the next chapter to see what happens.
The writing that feels the best to me, I experience sometimes, is a kind of weirdly deep listening - like, it feels like if you just listen hard enough, the next sentence will tell you what it needs to be.
As a writer, I can't really take days off. Writing is like creating an art. Once you stop writing, you can lose your rhythm and context, meaning that your writing may lose its power.
Confidence is what I'm looking for! Comfortable and confident in the things you say. I feel like, for me, that's the hardest part, the confidence.
When I start writing for the day, I usually read aloud the chapter I'm working on. It gets me into it and illuminates mistakes. I'm very rhythm conscious and I do enjoy repetition.
I see only one requirement you have to have to be a director or any kind of artist: rhythm. Rhythm, for me, is everything. Without rhythm, there's no music. Without rhythm, there's no cinema. Without rhythm, there's no architecture.
I'm friends with [David] Fincher. [James] Cameron gives me advice. I know a fair amount of directors who have been through it, and they all felt pretty confident that I would be fine when I got my shot. So their confidence made me feel confident.
Just be confident. Confidence is the most attractive part of a person. Because if they're not confident enough to show you who they are, you don't even know who they are.
You can lose confidence when you're not in the rhythm.
There's a marvelous sense of mastery that comes with writing a sentence that sounds exactly as you want it to. It's like trying to write a song, making tiny tweaks, reading it out loud, shifting things to make it sound a certain way... Sometimes it feels like digging out of a hole, but sometimes it feels like flying. When it's working and the rhythm's there, it does feel like magic to me.
You begin to take on the mentality of your coach. If he feels so confident, then I feel confident.
I feel confident. I feel there is a lot of confidence in me.
I pay tribute to John Major's achievement in persuading the other 11 Community Heads of Government that they could move ahead to a Social Chapter but not within the treaty and without Britain's participation. It sets a vital precedent. For an enlarged Community can only function if we build in flexibility of that kind... John Major deserves high praise for ensuring at Maastricht that we would not have either a Single Currency or the absurd provisions of the Social Chapter forced upon us: our industry, workforce, and national prosperity will benefit as a result.
I have seen countless people make a choice to be confident. If you don't naturally feel bold and confident, you can choose an attitude of confidence.
The word feminism has negative connotations for men. Rather, we are wanting to celebrate females and their confidence. There is no political agenda behind my work. I'm just trying to make music that makes me feel good and confident. We've got a cool message.
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