A Quote by Matt Dillon

The great, rewarding thing about directing is that you're overseeing the whole thing. When you're an actor, you're just one department. — © Matt Dillon
The great, rewarding thing about directing is that you're overseeing the whole thing. When you're an actor, you're just one department.
In the Justice Department, responsibility for overseeing and directing investigations is lodged in the department's prosecutors.
One thing that everybody told me about directing was, 'Never compromise'. And the whole job is a compromise. So it's very paradoxical. How do you not compromise when the whole thing is about compromise?
Here's the thing: I come from a filmmaking background, so this concept of sort of overseeing a television show but not directing was, in general, not weird, but I had to get used to what that felt like. My initial instinct was, 'I want to direct as much of this as possible.' But the logistics of making of TV, that's just not possible.
I think directing yourself is a monumental task. Just to self edit as an actor, you work for some directors who don't give you a lot of feedback so you have to do that. That's a difficult thing to do as an actor.
Directing was a natural thing for me. Actually, it was far less stressful directing than being the lead actor. I was able to have my input in all aspects of it.
I don't want to sound arrogant and say that I know everything about directing and I've got it cracked, but it was just all in all a joyous experience. To me, the key to directing, to be honest, is just surround yourself with brilliant people and let them do their thing
The funny thing about directing is that you have your own opinions, but it's a collaboration. Directing is a group effort. Even though you might think something works, the smartest thing you can do as a director is try and weigh the opinions of the people around you.
I think, basically, I am an actor. Sometimes I'm an actor who's writing and sometimes an actor who's directing, but I think if I'm forced to fill out a form for my tax return, 'actor' is the first thing I write down.
I mean, if you are directing actors to do one thing and then directing them to do something else entirely because the one thing you wanted them to do may not work, then you are just shattering their confidence in the project.
The cool thing about directing is, whatever cool thing works in the scene, it's still making the episode be a great story, and everyone's working toward that goal, so it doesn't much matter where it's coming from.
I'm a bigger fan of my directing than in acting. Acting is just harder. You know, not harder, per se, because directing is the hardest thing I've ever had to do. But it's harder to enjoy my work as an actor, you know.
For me, running a set and directing has been the most rewarding thing of my life and a happy surprise, because it was never really on my radar.
The room is full of such talent. It's a beautiful thing about the SAG Awards. It's the most rewarding room to be in as an actor.
Searching out directors you respect and that you can learn from that's always the dream. That's the goal. That's hopefully where this whole thing is leading, and what better way to learn about directing and learn about what works and what I like and what resonates me than by working with a bunch of great directors.
What's with the whole 'child actor' and 'teen actor' thing? You're either an actor or actress, or you're not. I don't get it! I want to be taken seriously as an actor.
If everybody did just one thing. Just one thing. Not even a great thing. Not a world-changing thing, just one blessing, just one act of living kindness. The effect of each caring action, no matter how seemingly small, brings blessings into the lives of others. There may be no greater or more important thing that we can do at this instant.
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