A Quote by Matt Dillon

Of course, if you're gonna make movies, you gotta make movies, and I'm not gonna say no to a good role. — © Matt Dillon
Of course, if you're gonna make movies, you gotta make movies, and I'm not gonna say no to a good role.
I love so-called movies that are bad movies, but 'Prometheus' is one of those movies that people are gonna come back around on in 20 years. There's gonna be midnight screenings of that thing.
Ever since I was maybe nine or 10 years old, I'd say, 'I'm gonna be an actor, and I'm gonna go to Julliard, and I'm gonna be in movies.' My parents never said, 'What's your backup plan?'
You bring your children onto this earth thinking, 'Okay, I want to make sure that by that time, I'm gonna be good and that they'll be okay.' But it's like, every day we're worried, 'Are we gonna be good?' Things change constantly, so you just gotta push, and you gotta work to the core.
I remember coming out of college thinking, 'OK, I'm gonna get an agent, and I'm gonna make money. I'm gonna make millions of dollars.' And that never happened.
I have a suspicion, because if you look at the whole, all the [Star Wars ] movies, the backlog of every one of these movies, there's a lot of great stuff, but one might not be not as good with the writing in this or the acting in that or the directing in that, this has great actors, great directors, great script, and I really feel like we're gonna make the best one [movie with Young Han Solo].
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
In Europe, where we have all these different forms of financing and cultural funds and systems like that, it's a good mixture of supporting artists to make movies. But, on the other side, everyone still wants to make money making movies. Again, even in the European film business, it's expensive to make movies.
Of course, if you're gonna make a rap song, you're gonna want to sound like Melle Mel.
Of course, I think that people are just waiting for that time when I make a mistake and they're gonna jump on it.... There's gonna be haters.
I don't think I could ever stop doing serious movies and just do comedies, or vice versa, but there is something cool about going to work everyday and you're just trying to make your friends laugh. That's nice work if you can get it, you know what I mean? It's different than going to work and knowing that I've gotta slap someone in the face today, and then I've gotta cry, and someone's gonna die, I've gotta get myself to that place.
Ultimately the social change has to come from the people who make the movies, so the people who make the movies have to look at the landscape and say to themselves, "Well, you know, these things are changing, and I'm okay with their having changed, and I think it's okay to start reflecting those changes through the movies we make."
If you're gonna do action movies, you're gonna get an injury at some point. It's inevitable.
The left are gonna calling you names. You're gonna be racist, gonna be a pig, gonna be sexist, you're gonna hate women, you're gonna hate blacks, you're gonna be anti-transgender, whatever. They'll come at you in all directions to force you into acquiescence.
I'm a little older and I'm gonna do a bunch more movies and then they're gonna put me in a home for old directors.
I don't look at things goin', 'Oh, is this gonna make me rich? Is this gonna make me a star? Am I gonna win awards?' If all that stuff happens, great. Who cares? I still have to wake up in the morning and go to work and be happy to do it.
When I moved to Los Angeles, I wrote spec screenplays. I was really poor, and I thought I was just gonna do this for a while to make a little money so I could write novels. I thought movies were a second-class art form. I condescended to it - I didn't know enough to know it was really gonna be hard.
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