A Quote by Matt Duffer

We fell in love with movies through directors. Very early on we knew that was what we wanted to do. — © Matt Duffer
We fell in love with movies through directors. Very early on we knew that was what we wanted to do.
When you look at the early-'30s movies, like King Kong, the codes of acting are very similar to those of silent movies. In some of the silent movies - the good ones, the ones done by the best directors - the acting is very, very natural
When you look at the early-'30s movies, like King Kong, the codes of acting are very similar to those of silent movies. In some of the silent movies - the good ones, the ones done by the best directors - the acting is very, very natural.
What I fell in love with as a child was 'My Fair Lady,' 'Funny Face,' 'American in Paris,' and 'Singin' in the Rain.' Just perfect movies to me and I was dancing. I started ballet when I was three. And I fell in love with those movies and fell in love with Audrey Hepburn and Leslie Caron.
I fell in love with acting at a very young age, when I was 9 years old and started doing community theater. As far as wanting to make a profession out of it, I was about 13 or 14. When I first saw Indiana Jones in "Raiders of the Lost Ark", when I saw Harrison Ford, I knew I wanted to be in movies.
I always wanted to be one of those people who were good at many, many things, but from a very early age, I fell in love with acting.
Most of the directors that I show my movies before the final cut, are directors that I admire, and who do movies that are very different from mine.
I love to take chances. I love first-time directors. I love super-low-budget movies. I've done 80-something movies, and I want to just keep experimenting. First-time directors have new, fresh ideas, and lot of times they're risking a lot to do it, so it means so much to them. They're not just hired; they have their heart on the line, because if you've gone that far, you're probably a very passionate person.
We knew, very early on, that we had to be very, very clear that directors need to speak to actors and actresses and be very clear about what is expected, and find out whether they're comfortable with that. Wardrobe has to be in place. There have to be checks.
I was a strange, dark little dude. I fell in love with horror movies, at a very early age. Somehow, as a first grader, I was able to convince my parents to let me go see stuff like 'An American Werewolf in London' in theaters, so I was headed in that direction anyway.
I wanted to be a movie director. I was just obsessed with watching movies and camera shots and directors. I read autobiographies and stuff of directors.
At a very early age I knew I wanted to be an actor and then more specifically that I wanted to be on Broadway and be in musicals.
For me, at a very young age, I knew I wanted to be in the entertainment industry; I wanted to be an announcer. I was very smitten at an early age with the voice I heard coming from a radio.
The process of decolonisation in Nigeria was a very untidy one. The British, when they were leaving finally and knew exactly who they wanted to take over, they wanted pliant government, figures, structures, they wanted to continue indirectly in effect their control over much of their colonial possessions and this was one of the very early causes of conflict.
We just fell in love with movies really, really early.
I started out doing theater when I was really young, and I completely fell in love with it. I knew that this was what I wanted to do.
I thought I wanted to get into hair and make-up, which I did for a short time, and then I fell in with a stylist by chance and very soon fell in love with everything about the fashion industry.
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