A Quote by Matt Duffer

When you shoot at slow-motion, or a high frame rate, it makes it really difficult to rack focus. — © Matt Duffer
When you shoot at slow-motion, or a high frame rate, it makes it really difficult to rack focus.
Slow motion goes one of two ways. It either makes it look really, really cool, or it makes it look really, really bad.
I like the way Quentin Tarantino creates a scene using a series of close-ups or showing very cool images of a person or people walking on some ordinary street in slow motion. I wish I could achieve that kind of slow-motion effect in manga, but it's rather difficult to draw; the only things we can play with are tones of black and white.
I became passionate about nature filmmaking when I graduated from UCLA, and one of the things I always wanted to do was shoot really high quality film, so I got into time-lapse photography - so that means when you shoot a flower, you're shooting, like, one frame every twenty minutes, so that's basically two seconds of a film per day.
Karen rowed for what the venerable American shell builder George Pocock called `the symphony of motion.' As dawn breaks over the river, the shell is lifted from its rack out into the morning. On another rack the oars hang ready to be greased and slipped into the locks. Then, awakened to the river and the feel of the oars, the oarsmen blend in fulfillment of the shell. The symphony is not of competition. It is the synchronous motion over water, the harmonic flexing of wood and muscle, where each piece of equipment and every oarsman is both essential to, and the limit of motion itself.
Thus disbelief crept over me at a very slow rate, but at last was complete. The rate was so slow that I felt no distress, and have never since doubted even for a single second that my conclusion was correct.
Lots of companies don’t succeed over time. What do they fundamentally do wrong? They usually miss the future. I try to focus on that: What is the future really going to be? And how do we create it? And how do we power our organization to really focus on that and really drive it at a high rate? When I was working on Android, I felt guilty. It wasn’t what we were working on, it was a start-up, and I felt guilty. That was stupid! It was the future.
You have to slow your heart rate, stay calm. You have to shoot in between your heartbeats.
HBO spends almost a month perfecting an episode. They shoot at the same speed that you would shoot a major motion picture, and they give you all of the things that you need to succeed. They really do support their artists.
There are times where you're in the zone and everything moves in slow motion, and there's sometimes when everything goes really fast and you have to slow yourself down.
If life is envisioned as a continuously running motion picture, the keeping of a notebook stops the action and allows a meaningful scene to be explored frame by frame.
I focus on supporting high quality early childhood health care and education. By betting my resources on very young children, I know I'm making an investment that pays guaranteed dividends with a high rate of return.
You know, unfortunately I'm only one person. I can't really be in two places at one time and the amount of focus that I need to put into Slipknot makes it really difficult for me to be on tour with Stone Sour.
Production-wise, it is difficult to shoot an entire film in the U.S. It's logistically difficult, as getting permission takes time, and it is also expensive to shoot there.
Dance is in the air, pirouettes, very difficult. Mime is on the floor, like Spanish dancing perhaps, and very often in slow motion.
You need a continuous picture of how things are evolving, and not a slow series of snapshots where you don't know how frame A is related to frame B.
If you go to a second-rate place, and you are first-rate, it is very difficult to do first-rate work because you do not get that critical feedback you need for first-rate work on a daily basis.
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