A Quote by Matt Duffer
I would feel really nervous doing something, especially something like one of Stephen King's classic books that meant a lot to me, because there would be nothing worse than screwing that up.
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This is so classic. Government comes along under the guise of fairness, fixes something, gonna make it fair, gonna make it equal, gonna make it affordable, maybe even make it free. What they end up doing is blowing it all to hell, screwing it up worse than it's ever been screwed up, then their voters bellyache and complain about it. And the same Democrats come back and demand that something be done, because their voters need a second chance.
I grew up on Stephen King, reading the books. I love the small town, 1950s feel to it, that nostalgia, and that old America. What happens when something weird starts happening to all these people, something other-worldly, something demonic?
I guess if one set of my books was selling like Stephen King's, and the other wasn't selling at all, editors would want me to do the ones that sold like Stephen King's. But they seem to be willing to let me pick what I want to do next.
Stephen King in many respects is a wonderful writer. He has made a contribution. People in the future will be able to pick up Stephen King's books and learn a lot about who we were by reading those books.
Thank god, I can't sing because that would be a lot of pressure. But yeah, it's nice doing something different and that's something I really feel like is my own passion. It's also connected. Everything is connected in the entertainment business, so I have the support of my parents because they've been through it all before and they can give me advice.
What do you mean less than nothing? I don't think there is any such thing as less than nothing. Nothing is absolutely the limit of nothingness. It's the lowest you can go. It's the end of the line. How can something be less than nothing? If there were something that was less than nothing, then nothing would not be nothing, it would be something - even though it's just a very little bit of something. But if nothing is nothing, then nothing has nothing that is less than it is.
When I come up with something that I feel like people will connect with that makes me happy because I know that it would be something that would just go beyond me.
Am I doing the movie because I'm really excited about it and want to do it, or am I doing it because it seems like it's a big budget or something like that? It would still have to be the right thing, because my lifestyle's really cheap and I'm able to exist doing smaller movies, so if I'm able to do that, I'm happy to do that. But if something bigger came along that seems really cool, then that would be great.
That's something that Stephen King always has in his works. There's a human villain who's just as bad, if not worse than the supernatural one.
Stephen King's 'It' is my favorite book of all time. I was that kid that would come to the library and be like: 'There's more Stephen King? Great.'
I worked with the late Leonard Frey. I did a play, and I would have these ideas and he would say, "I don't know. Try it." And I would try it and it would be awful, and he would go, "What do you think?" And I would go, "It was awful." And he goes, "Okay, we'll try something else." And that's great because it really makes you feel less working-for and more working-with. There's nothing better than to feel a part of the team.
A lot of times I would go into a room and audition for whatever sitcom it was and they would expect me to do sort of what my dad was doing and I am not him so they would be disappointed and I would feel nervous and not know exactly how to do it.
The most I've ever done was twenty-something, but that's wasn't because I wanted to. I feel like to me it's usually somewhere between two and- no, it's very hard to say because it really depends up on the shot, you know? If it's a complicated master shot and you know that this is the only thing that you're doing for that scene, a complicated one-er, you're going to maybe end up doing a few more takes than you normally would. But I'm not a big believer in doing tons and tons and tons of takes.
Whenever I think I know something is a classic, or an amazing song, I realise it's still so subjective, because you and your friends could be talking about something, say, '(I Can't Get No) Satisfaction' - an amazing classic song - or someone would be like, "'Hey Jude' is an amazing song!", and I'd be like, "I don't really like it."
I feel it most in my work, because there aren't roles about women who are spiritually evolving. That anyone would even write something like that, something that's worth doing, would be a miracle!
I really don't find revivals very interesting because I like new work a lot. I feel like if you're going to pay me, then let me do what I do and let me try to solve some problems. Let me try to make something fly. Why would I do something that everybody has already done the hard work on? But that's me. Tons of people do revivals really well.
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