A Quote by Matt Groening
For some reason, a lot of Hollywood big shots are curious to see how they'd be drawn with bulging eyes and no chin.
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Having done a lot of magazines, I'm very curious how big magazines handle big stories, and I was very curious to see how 'Time' and 'Newsweek' would handle 9/11. And I was basically pretty disappointed to see that they had chosen to show the photo we'd already seen a million times, which was basically the moment of impact.
I think the reason a lot of celebrities feel insecure and want to stop eating altogether is because they see so many pictures of themselves on a daily basis. It's unhealthy how many times you see your own image - it's just constant. When you see something enough, you're going to tear it down to the point where some days you feel like you're not even pretty. I get insecure about my eyes because I once read a blog comment that said, "Her eyes are so small." I thought, Are my eyes small? Oh no - they are!
I've hit a lot of big shots and missed a lot of big shots, and I'll continue to shoot them.
There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.
I think for some reason people are drawn to stories of all kinds, for some reason they land harder when they are "true." And yet in fiction, I think there is a lot of deeper truth, too.
If I close my eyes and think of Hollywood, all I see is one big varicose vein.
As a writer, I think about films I work on in a traditional Hollywood kind of a way. I'm curious to see how it translates.
I was surrounded by talented people. I always remember Mrs. Carmel Snow, saying to me, "You know, Polly, if one person thinks they're a big star, then we're all stars. You just go out there and always do your best. And always have time to see any designer - no matter how big or how small, have time to see them. You don't have to just see the big shots. You never know what's coming around the corner and the talent that is going to be important. That is your job."
When I see a lot of the big Hollywood movies, I see they are all financed by Indian studios.
The unique thing about Margaret Rutherford is that she can act with her chin alone. Among its many moods I especially cherish the chin commanding, the chin in doubt, and the chin at bay.
People who say they're not nervous - I would be kind of curious to see how successful you are at what you do and how long you've done it. And what is success in your eyes? Have you separated yourself from everyone else in that craft? Or have you settled amongst the pack?
When I started, you didn't focus so much on production, certainly not - gosh - down to the finest little detail of how you shifted your eyes or how you turned to somebody. A lot of the shots were far away from a still camera. There weren't as many close-ups and intimacy.
I spent quite a lot of time in front of the bathroom mirror. Nearby, there was a stack of books. My favorites were 'The Death of Manolete' and the cartoons of Charles Addams. I would pretend to be Morticia Addams. I was drawn to her. I used to pull my eyes back and see how I'd look with slanted eyelids.
You have T20 and that also plays a part in some of the shots batsmen play. You see guys playing the same shots in T20s and Tests and are sometimes lucky to get away with it.
I shoot a lot of bank shots and a lot of shots around the perimeter. There's a lot of things I like to work on, but I know my bread and butter when it comes down to it, and that's in the post.
Big Nog and me are two different types of fighters. Nogeuira lived by his chin, he wasn't afraid to take a lot of punishment in order to dish out a whole lot of punishment. Personally, I know I can take a really big shot. I'd rather not.
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