A Quote by Matt Groening
I personally like the idea of newspapers. It's a good format. You can read it in whatever order you want. You can glance at it. There is something about a single screen and scrolling through pages that just doesn't have the same appeal.
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To me, the producing falls into the same as acting. It requires so much time out of your life, and I take it very personally, I realize. So if I do something, it just has to be something I love and I don't want anyone else to do. When I open projects, maybe something will appeal to me. I think I'm not opening them because I don't want anything to appeal to me right now.
I get scripts all the time, but I read this [Baggage Claim] thoroughly, and I loved it. It was light hearted, cute, sweet, and funny. I told my agent that I liked the script, but I did let my acceptance of the role slide a little, until I was watching television one day; scrolling through the stations, and there was this play. And I don't like plays made for the screen. But, this one, "Suddenly Single", caught my attention.
I stopped reading William Faulkner because it's hard work. I want to read a good writer, but I also want to read something where the pages are going to move along. That's what I want. It doesn't have to be a thriller or a mystery. Just something where I get caught up in the story.
The idea of scrolling is amazing because you could just bypass everybody's whatever, but then whatever catches your eye - yeah, I don't judge those people who tweet their breakfast, lunch and dinner but, I like to just use it for special occasions.
I used to comfort myself with the idea of a book with serrated, detachable pages, so that you could read the thing the way it came and then shuffle the pages, like a giant deck of cards, and read the book in an entirely different order. It would be a different book, wouldn't it? It would be one of infinite books.
Read. You don't have to read me. But just read. Read the best people. Everybody's trying to do the same thing, which is keep you turning pages. Everyone does it a different way. But we all want you to understand [our books].
Codifying discrimination in our laws should be something we read about in American history, not on the front pages of today's American newspapers and magazines.
While we can all access articles and information in so many places now - across blogs, in newspapers, on video - there is something very powerful about putting it all together into an edited format in a single issue that has a narrative stretching across the themes.
Honestly, I don't read newspapers, magazines, whatever. They're just not part of my lexicon. I don't want to be manipulated, or manipulated about other people's work.
And in the Second World War, you didn't just read about it in the newspapers because you weren't allowed to read it in the newspapers. It was all censored, you know? So nobody knew what we were doing.
On the one hand, rock is so predictable, but at the same time, the basic idea that an artist can cut through everything and make something that they believe in or make something that they love or speaks to them personally, that it can cut through the bullshit. But at the same time, the cliches of sincerity can kill that.
The business pages of American newspapers should not read like a scandal sheet.
Sure, kids want to read whatever is the hot book, and of course they want to read fantasy and any kind of speculative fiction, but they also like to read stories with kids that look just like them, that have the same problems as them. And I've noticed that what they particularly want to see is to see those characters prevail. So they don't want sanitized situations. They want stories to be raw, they want them to be gritty, but they also do want to see the hope at the end of the story.
In my life, I didn't get into comedy to be - I had no business model. All I wanted to do was, basically, finish becoming myself. And you stand in front of people and be seen and heard in this format. I thought it was the most practical format for me to express whatever it was I was going through. Whatever my ideas were in my evolving philosophy about life. I obviously don't sell out theaters. I'm not a household name. I'm not incredibly consistent in terms of doing the same act over and over again, and I'm definitely working out a lot of my existential issues onstage.
The delivery and presentation media are important, and each format has its advantages and disadvantages, but ultimately I just want to read what I want to read, when and where I want.
I feel like it's such an exercise in, like, several things to read a ton of 'Cosmo's or 'Glamour's or whatever, all at once. Because you start realizing how they're just talking about nothing for many pages, and they sort of lull you into this hypnotic state.
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