A Quote by Matt Groening

I gave away 'Life in Hell' when it was a little 'zine, and sold it at record stores for $1, and I knew from the time that I first did it that I would continue to do it, because it was fun.
Record stores are the hippest libraries. In these tired ole days of homogenized entertainment, where so much of the art of our society is culminated, dumbed-down and mass produced, there is a shining jewel in the rise of the indy record stores. Going to a record shop for me is like a little treasure hunt no one can take you on but yourself. It's fun to look around and see the other shoppers too...totally entrenched in their own adventure, anticipating the reward of heart wrenching, soul filling, joy making music that might just be a bin or a flip away.
Every record I have done was because I was a person's friend. The only time we did not continue to be friends was if the record did not become a hit. If it did, we became great friends.
In the UK, tons of records are now sold in grocery stores, because there are no record stores - it's iTunes or the grocery store. And almost every band that had an impact on me was on a major label. There's value in people actually hearing things, as well.
I gave away the money advanced from my record company on my first album, I'm the type of person who likes to give. I gave to my sister. She has four little babies and bought an old house and it needed repairs.
If it weren't for Criminal Records, Wax-n-facts and other indie record stores I could have only sold my CD's at my shows and by mail order as an independent artist. The greatest stores that have character and include a much wider range of music of music are all independent, mom and pop stores.
My music has always been sort of in-between categories. Sometimes record stores - back when there were record stores - they'd put my records in the country music section, but other record stores would put my records in the pop or even the rock section. As long as it's in the store somewhere, I'm OK with it.
My music has always been sort of in between categories. Sometimes record stores - back when there were record stores - they'd put my records in the country music section, but other record stores would put my records in the pop or even the rock section. As long as it's in the store somewhere, I'm OK with it.
You used to make records, record companies sold them, and people went to record stores and bought them. That's all gone now.
I knew that I needed to do something that I desperately loved. There was a period where I did question if it was acting because I knew that I would be making things hard on myself. I knew that there was going to be a little bit of a hullabaloo because of my dad being who he is and all that.
I knew all these people had the same goals I did, but the one that worked the hardest would come out on top. That's what drove me all the time. But I had fun. I did better every day, and that's what made it fun.
I stayed away from mathematics not so much because I knew it would be hard work as because of the amount of time I knew it would take, hours spent in a field where I was not a natural.
Radio Shack is meeting the fate of many other stores that were wildly popular in the twentieth century, including record stores, comic book stores, bookstores and video stores.
It would be really nice to make a record that would be super-fun to play live - a record that would be funny, with a little bit of heart.
When I got to the second album, there was an expectation, because we'd sold nearly seven million albums on the first record, that this would do eight or nine.
When I gave up my office job and became a full-time professional photographer, my fortunes certainly improved markedly. We moved away from the council estate into our own house and for the first time in my life, I had a little spare money.
'Storm' was the first song I did as a member of YG. The record gave me a lot of pressure. I didn't think I was prepared at the time.
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