A Quote by Matt Groening
My father was a really sharp cartoonist and filmmaker. He used to tape-record the family surreptitiously, either while we were driving around or at dinner, and in 1963 he and I made up a story about a brother and a sister, Lisa and Matt, having an adventure out in the woods with animals.
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My family background really only consists of my mother. She was a widow. My father died quite young; he must have been thirty-one. Then there was my twin brother and my sister. We had two aunts as well, my father's sisters. But the immediate family consisted of my mother, my brother, my sister, and me.
I do not have a family, per se. When I was younger, I grew up in foster care with my brother and sister. It was really a struggle, and knowing that there were people out there with tight-knit families really made my childhood an unfortunate one.
I basically drew my own family. My father's name is Homer. My mother's name is Margaret. I have a sister Lisa and another sister Maggie, so I drew all of them. I was going to name the main character Matt, but I didn't think it would go over well in a pitch meeting, so I changed the name to Bart.
Me and my brother just used to fight all the time; then my sister came along, and it was all about the little girl in the house. We'd always eat dinner together as a family.
Blood doesn't make you family. Hell, an only child can bleed. It's the sharing of pain that makes you family. 'Cause, you can't really love a brother or sister until you know that they're as scarred and broken as you are. And, hey, if you grow up with a father like mine and you aren't at least a little scarred and broken, well then, that's not your father. You were spawned by an entirely different guy.
My mother was okay with me not playing it safe. She made an agreement with my father that I was going to be raised differently than my brother and sister were. My parents went through the whole sixties rebellion with my brother and sister. But I didn't feel like I had to rebel because I didn't have anyone telling me I couldn't do something. I never went into that parents-as-enemies stage.
My parents managed a summer camp, and it was vacant for about seven or eight months out of the year. It was in the middle of nowhere in the woods. We backed up to a state forest. So absolutely, there were creepy woods all around the house. It was easy to get lost. It was really spooky.
While we were saying all these things about taking care of our fellow men, we were flying around, eating meat, buying things, driving a car, having two homes. Then we realized that we of course are a huge part of the problem, in fact, we were part of the problem. Greta could not get around that, and it made her upset... She told us we had to change.
I learned respect for womanhood from my father's tender caring for my mother, my sister, and his sisters. Father was the first to arise from dinner to clear the table. My sister and I would wash and dry the dishes each night at Father's request. If we were not there, Father and Mother would clean the kitchen together.
I kind of, I have quite a clear idea of what I'm trying to do with a record. A Super Furry Animals record is always an adventure, because there's five members of the group and everyone is a producer, we all throw in ideas, and regardless of who writes the song, the songs always get pushed around and shape-shifted to fit everyone in the band. So when I start a record with Super Furry Animals I can never predict how it'll turn out.
On the second half of 'Under Pressure,' I talk about my family, and there are voicemails on my phone from when I was on the road that actually make up the second half of the nine-minute song. I transcribe them and rap them as if I were my sister, my brother, or my father.
My brother and sister and I were latchkey kids, with a singer mother and no relationship with our father, and being in a firm is often about filling a void at home. For me, it was like having 50 big brothers.
He thought about the story his daughter was living and the role she was playing inside that story. He realized he hadn't provided a better role for his daughter. He hadn't mapped out a story for his family. And so his daughter had chosen another story, a story in which she was wanted, even if she was only being used. In the absence of a family story, she'd chosen a story in which there was risk and adventure, rebellion and independence.
I had a very special family life. My mother and father made sure when we were home, we were part of the family, not a TV star. And the other thing: my father was fully employed while I was doing the series.
Grandmother pointed out my brother Perry, my sister Sarah, and my sister Eliza, who stood in the group. I had never seen my brother nor my sisters before; and, though I had sometimes heard of them, and felt a curious interest in them, I really did not understand what they were to me, or I to them. We were brothers and sisters, but what of that? Why should they be attached to me, or I to them? Brothers and sisters were by blood; but slavery had made us strangers. I heard the words brother and sisters, and knew they must mean something; but slavery had robbed these terms of their true meaning.
I was very into animals and nature, and really obsessed with cats and monkeys. I used to play in the woods, wander off into the woods for hours. I'd bring a clipboard and think that I was doing some work out there, following the trails of raccoons or collecting bird feathers.
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