A Quote by Matt Groening

'The Simpsons' from the very beginning was based on our memories of brash '60s sitcoms - you had a main title theme that was bombastic and grabbed your attention - and when you look at TV shows of the 1970s and '80s, things got very mild and toned down and... obsequious.
'The Simpsons' basically - and 'Futurama' - are really smart shows. They're kind of disguised as these goofy animated sitcoms, but the references within the shows, if you're paying attention, are pretty smart and pretty sophisticated.
The beauty of a main title is that you establish your main theme and maybe a bit of your secondary theme. You plant the seed that you're going to go water later in the score. And so, having that removed just made it so much more difficult.
I'm a product of the 1970s, so I have a short attention span. You know, I grew up on cartoons and half-hour shows. So the stories that I'm interested in grab my attention very quickly, and they have to keep my attention.
Sometimes I would be very upset because my memories are very murky from my childhood, but there are certain emotional memories or emotional truths that are painful, and things that I know to be the case and I had to nail them down, and that was difficult.
I had to do this very aggressive, big score in a very short time, and knowing that in the beginning, middle, and end would be this very, very famous theme, but I still had to weave a score around it and make it work as a score was really challenging.
The Simpsons was pretty experimental at the time, but it attracted a lot of sitcom writers that felt confined by the limitations of live-action sitcoms in the '80s.
'Family Ties,' to me, was strictly '80s. It was from the beginning of the '80s until the end of the '80s, and it was very specific to that time. Ronald Reagan was president.
The CW is a very fashion-oriented network and they like their stars to look a certain way. I like that, but at the same time, I need Nikita to be toned down a bit. You can't draw too much attention to Nikita because she's an assassin.
We must have song and dance in our lives; we've had it ever since the inception of cinema in India. Our stories are very social-based, very human-based. We are a very emotional nation.
I grew up in the 1970s, and my friends and I felt very keenly that we had missed the '60s. We were bummed out about it.
Those rosy memories we all share are actually memories from our favorite TV shows. We've confused our own childhoods with episodes of "Ozzie and Harriet," "Father Knows Best," and "The Brady Bunch." In real life, Ozzie had a very visible mistress for years, Bud and Kitten on "Father Knows Best" grew up to become major druggies, and Mom on "The Brady Bunch" dated her fifteen-year-old fictional son.
People link the 80s to that very liberal theme, growing up in a very liberal world, having ideals or not having ideals. The 80s were an confusing era.
When my father was, you know, a very big artist in the 1970s and then later up through the '80s. And then I began playing guitar with him in the road in the late '80s until he retired in 1997. So I traveled the world with them for years, you know, and all around the world and got to meet some great people.
Usually my writing is very over the top and bombastic and very, like, 'I'm amazing! Look at me!'
'Parenthood' is a story about people's lives - the title helps. Very early on during the show's launch, the title was something familiar for the audience. It grabbed people's interest.
When I grew up in the '80s, all of my favorite TV shows always had these great openings, and it always got me excited.
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