A Quote by Matt Hardy
I am often able to hear what people are thinking.
Related Quotes
In this culture the soul and the heart too often go homeless. Listening creates a holy silence. When you listen generously to people, they can hear the truth in themselves, often for the first time. And in the silence of listening, you can know yourself in everyone. Eventually you may be able to hear, in everyone and beyond everyone, the unseen singing softly to itself and to you.
I need to be able to hear what is being said to me by the voices I create. Just on the other side of creativity is the nuthouse - and I often notice people looking at me strangely when I am talking out loud, but there is no other way.
I want to make sure that the Coast Guard people in Vietnam know that I am hearing about them often and that I am pleased with what I hear.
What it comes down to, I believe, is that mentoring often involves telling people what they need to hear, rather than what they want to hear. When you are able to be humbly honest with someone about a situation with which you have personal experience-even if you risk angering or hurting that person-you are offering the most valuable gift of all.
Rhythms and sounds are often the first thing I hear and want in a poem, so I can't imagine trying to translate something without at least being able to hear what it sounds like.
When I hear people comparing Mike's [Jordan] work to Denzel [Washington] I think it's amazing.. Because Denzel is such an amazing, textured actor. And I think that that comes with Mike too. I'm not thinking about how they look, though; I'm thinking about what they're able to accomplish.
We are all a little weird. And we like to think that there is always someone weirder. I mean, I am sure some of you are looking at me and thinking, “Well, at least I am not as weird as you,” and I am thinking, “Well, at least I am not as weird as the people in the loony bin,” and the people in the loony bin are thinking, “Well, at least I am an orange”.
I was thinking, "So, I’m Emperor, am I? What nonsense! But at least I'll be able to make people read my books now.
When I ask candidates to tell me about their weaknesses, I am hoping for a wise, honest, and self-confident answer. When I hear a candidate rationally admit a weakness, I am impressed. When I hear a candidate duck the question with language straight out of a book, I start thinking about the next candidate.
I simply couldn’t conceive of how devastating it would be not to be able to hear my children’s voices. Not to be able to communicate with them, to hear them learn, grow, and express themselves verbally. How fortunate, how blessed I am. This overwhelmed me. I can talk to my children, I can respond to their needs and comfort them when they tell me they are unwell. I can tell them stories and hear them tell theirs.
I am often talking about the ideas collected in Normal Life in contexts that are not academic, or that are full of people who are not primarily engaging as theorists or theory-readers. Being able to make ideas visual, especially critical ideas about movements that can be difficult to hear because of attachments we have to certain national narratives, or because of ways that we see ourselves, is especially useful.
The rational intellect doesn't have a great deal to do with love, and it doesn't have a great deal to do with art. I am often, in my writing, great leaps ahead of where I am in my thinking, and my thinking has to work its way slowly up to what the "superconscious" has already shown me in a story or poem.
I realized that there was an intellectual content in music, a kind of thinking, that I would never be able to hear.
As a rule, whenever I hear about a demographic threat, it comes first of all from a type of thinking that says the Arabs are a threat. And this leads to thinking of transfer or that they should be killed. I am appalled by this kind of talk.
I am aware that I am very old now; but I am also aware that I have never been so young as I am now, in spirit, since I was fourteen and entertained Jim Wolf with the wasps. I am only able to perceive that I am old by a mental process; I am altogether unable to feel old in spirit. It is a pity, too, for my lapses from gravity must surely often be a reproach to me. When I am in the company of very young people I always feel that I am one of them, and they probably privately resent it.
When I am on stage, I am often thinking about what I will eat after the show.
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