If I want to, I can sign 20 films for ridiculous amounts of money, but I really want to do different kinds of cinema. I want creative satisfaction.
I could never really imagine myself doing one thing, and I'm pretty sure that I'll end up doing four or five different things. I want to be a Renaissance woman. I want to paint, and I want to write, and I want to act, and I want to just do everything.
I realize I'm not different. I want what everyone wants. I want what they all want. I want all the things. I just want to be happy.
I want to make my own path and leave behind a good legacy for myself and honestly, I just want to be innovative and always down for other people. That's what I want to be remembered by. I want to inspire.
I like working with creative people who are receptive to new ideas, who want to do things that are different, who want to create films of a different mould.
I think, at the end of the day, you have to decide what you want. Do you want to be famous? Do you want to be rich? Do you want to have a career? Those are three very different things.
When people say ceramics is therapeutic and seductive, I think it's really about the wheel. Nothing I've done has that feeling; I feel like I'm fighting with the material the whole time. It doesn't want to be vague. It doesn't want to be asymmetrical. It doesn't want to have different clays combined. It doesn't want to do any of the things I make it do.
Millennials want to find meaning in their work, and they want to make a difference. They want to be listened to. They want you to understand that they fuse life and work. They want to have a say about how they do their work. They want to be rewarded. They want to be recognized. They want a good relationship with their boss. They want to learn. But most of all, they want to succeed. They want to have fun!
It's such a cliche thing to say. I want to choreograph, I want to direct, I want to act, I want to write music, I want to play music, I want to sing. For me, it's never-ending. I want to do it all, really.
I don't want to get ahead at the expense of somebody else. I don't even want to be the center of attention - I mean, yes, I made the movie and I can do all these things, but I don't want to always keep being in the middle of it. I want to collaborate with people and be a part of a creative community. I don't know.
I want to be stereotyped. I want to be classified. I want to be a clone. I want to be masochistic. I want to be sadistic. I want a Suburban Home. I don't want no hipppie pad; I want a house just like Mom and Dad.
I love the intimacy and the passion and the danger that go into independent filmmaking. Because it comes out of a creative necessity. It comes from people who really want to make a movie and want to make a difference and want to grab an audience by the gullet and show them something different.
What politicians want and what creative writers want will always be profoundly different, because I'm afraid all politicians, of whatever hue, want propaganda, and writers want the truth, and they're not compatible.
I want to choreograph, I want to direct, I want to act, I want to write music, I want to play music, I want to sing. For me, it's never-ending. I want to do it all, really.
I have three things I really, really want to do. I want to do aerial trapeze, I want to do martial arts, and I want to learn Russian. And, because of my life, I'm not able to do any of these.
You want to be the first to do something. You want to create something. You want to innovate something...I often think of Edison inventing the light bulb. That's what I want to do. I want to drive over the bridge coming out of New York there and look down on that sea of lights that is New Jersey and say, `Hey, I did that!'